La Vie Sans Brahim

A novelist, an actress, and a struggling young singer all attempt to make their mark in modern day Paris in director Marc Fitoussi's cynical entertainment industry satire. Bertrand is a French literary professor whose students all know that he is shacked up with pretty math teacher Solange despite the couple's best efforts to keep their relationship under the radar. Though no one in the school much cares for Bertrand's prose, self-flagellating student Frederic is the one notable exception. Meanwhile, as Bertrand struggles to deliver his second novel, recent big city arrival Cora finds that her fondness for outmoded songwriters may be having an adverse effect on her career trajectory. While Cora struggles to make ends meet by working at a popular chain steakhouse, even this attempt to remain afloat ultimately proves disastrous.

Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is impoverished and his ancestors come from Brittany. In spite of their different backgrounds, the two fall in love, marry, and eventually have a baby girl. At just about that time, Veronique decides to go back to school, and Adrien becomes both mother and father to their baby. Unable to cope with Veronique's new-found intellectual friends and different lifestyle, Adrien clashes with her, and their arguments lead to a separation for awhile. The two then get back together again, but not for long. It is on a return trip from visiting his mother in Brittany that Adrien's life undergoes a dramatic change, and his story takes an equally unexpected turn.

In the vibrant African neighborhood of Château d'Eau in Paris, Charles is the smoothest of all the hustlers. His job: to fill the districts numerous hair salons with customers. But when the competition is tough and everybody’s trying hard to be number one, dirty tricks are just around the corner.

In 1906, Viscount Paul de Barfleur fell in love with Cri-Cri delagrange, a singer at the cabaret "La vie parisienne". But the young man's father separated the lovers, who then married, each on his own... Forty-seven years later, in 1953, Cri-Cri and Paul's respective granddaughter and grandson meet by chance and fall in love with each other. The girl's father disapproves of the affair and is about to put an end to it. But the old Vicomte de Barfleur, who has never been consoled by not marrying Cri-Cri, intervenes in time to save the couple's happiness.

Young doctor Garondet is summoned by renowned Professor Orloff. At Orloff's castle, Garondet discovers that the mad scientist has created an invisible yet murderous apeman.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

After twenty-seven long months spent in Algeria, Frédéric Simon, a young photographer is determined to forget this time of trouble. Now that the Army has finally discharged him he wants to live the good life. And at first, things go according to his wishes: not only does he marry Sylvie but they are invited by a wealthy man to Monte Carlo, where they spend a dream honeymoon. But back in Paris, hard times await them. Not finding work easily along with having to live in a cramped apartment make Frédéric bitter and unpleasant. When Sylvie becomes pregnant, he slams the door and finds consolation in the arms of Christine, an ex girlfriend, which he soon regrets. At last, the situation improves. Frédéric finds work and starts making money as a fashion photographer. But the good life cannot go on: one morning a policeman knocks at the young couple's door: the country wants Frédéric back in the Army.

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.

1949, a French explorer goes on a solitary expedition in the Amazon forest. He leaves behind him a diary that reflects the meaning of Pure Life and his encounters but leaves the mystery of his own disappearance unsolved. Based on a true story.

The writer Pierre Carot became rich and famous with his book "Life as a Couple", which was based on the loving relationships of four couples. Now he's setting up his will and wants to leave his wealth to the couples among the four, which are still as deeply in love - if any: else, his companions get the money. He sends them out to visit the couples and test their love.

Upon their release from prison twen­ty years ear­li­er, Gérard, Ary and Philippe asked them­selves if hon­esty was not the best rack­et of them all. Today, they are insep­a­ra­ble and scrupu­lous­ly above board. But Gérard learns he is ter­mi­nal­ly ill. Their friend’s days being num­bered, Ary and Philippe want to offer him one last love sto­ry… because, as Gérard likes to say : love is bet­ter than life.

On a hospital bed, Marcello is plunged into a deep coma. His guardian angel asks the angel in charge of bringing him back to the afterlife to extend the contract of his protégé.

After 20 years of marriage and almost perfect love, Sophie leaves her husband Gilles for another guy. Many misadventures await Gilles in his nervous breakdown, while trying to get a way to reclaim his love back to Sophie.

An aristocrat instigates divorce proceedings against his son-in-law, a commoner and the ex-owner of night club "La Vie de Plaisir".