La Vie Sans Brahim

Philippe like to film people in public spaces. Observation turns into an obsession when a couple moves in front of his house and sows confusion in his sexual identity.

La Belle Vie: The Good Life takes a look into a filmmaker's journey to discover her Haitian roots by examining the complexities of the Haitian society but also chronicles her voyage to find hope in this nation on the brink of a new Haiti.

Two bank employees like Lucie, their colleague. They steal money from the cash register to gamble. Jean wins and Paul ends up in prison for five years. When he leaves, he discovers that Jean has become a businessman and that he has married Lucie.

The premiere of the world tour "La vie est belle" was one of the finest outdoor theaters in the world, the Waldbühne in Berlin. Backed by a choir, an additional percussion ensemble, 300 bagpipe players, a brilliant light and laser show and fireworks. Andre gave one of his most spectacular concerts ever.

A beginning of a series of films directed by Louis Feuillade from 1911-1913

When we take a closer look to The Magnificent Life Underwater, we realize how it is at the same time, so mysterious and so familiar.

A philosophical film work based on the French philosopher Simone Weil's thoughts, beautifully translated into grainy 16mm footage from early modernism's absolute center, Paris, and divided into chapters like stations on a night-time ride with the metro.

Portrait of Julia Jean Turner, from her childhood to her rise of fame as Lana Turner, to her last role.

Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.

Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

This is, for 1906, a strikingly ambitious prototype-documentary travelogue filmed in and around the cities now called Kolkata and Mumbai. It's full of precious, occasionally startling images, from an extended 'phantom ride' down busy Calcutta streets to thronging port life, street trading, even the cremation of a human body and the ritual decapitation of lambs on a Bombay street – a scene some viewers may find upsetting. This is a French production but, like many of the 'exotic' travel films so popular in early cinema, it travelled widely itself – hence this version, with English language intertitles.

Erika Blanc self-reflectively narrates her descent into Italian genre cinema while she hyperbolically playacts in the woods.

Four young friends share the carefree, cheerfulness, laughter and dances of Bohemian life. Rodolphe the painter, Alexandre Chaunard the composer, Colline the philosopher, as well as Marcel and his friend Musette. Mimi, a romantic young girl, falls in love with Rodolphe.

Having left the family home when they came of age following a violent dispute with their father, three members of the same siblings decide, 25 years later, to return to their native village. It is while returning to the traces of their childhood that heavy secrets of the past resurface.

Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.

Nanda must rethink her plansof studying in Amsterdam when she discovers she is pregnant. After losing the support of her boyfriend Léo, the young girl decides to return home, where she suffers a serious accident and dies.However, Helena, her doctor, is able to save her new-born twins: Francisco and Clara. Unfortunately, Clara suffers from Downs Syndrome. Helena feels a strong emotional tie to Clara and adopts her.Years later, the twins’father Léo, a young and wealthy businessman, returns to the scene, wanting to gain custody of the children.However, Helena and Alex fight to the end to retain guardianship of the twins, whom they have raised with such love.

Mimi, an orphan, is taken in by a drunken innkeeper and becomes a domestic. She meets Rudolphe, scion of a well-to-do family, who rescues her from the unwanted advances of a drunken hotel guest. They fall madly in love, but Rudolphe's uncle, M. Durandin, wants Rudolphe to marry a family friend, Madame de Rouvre, and writes Mimi a letter, telling her that she is ruining Rudolphe's life. Musette and Marcel, friends of Mimi, also try to break up the romance by introducing Mimi to other men, and Rudolphe becomes jealous and leaves her. Brokenhearted, Mimi declines in health and eventually throws herself into the river but is rescued and taken to the hospital. Realizing it is only a matter of time before she dies, she drags herself back to the room where she and Rudolphe were happiest. Rudolphe is there and she dies knowing that he loves her.