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Live performance from Opéra National de Lyon.
This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.
Pierre and Marion, a couple of Parisien teachers, have a life regulated. When they meet Marion's childhood love, Remi, their life is lighten to a new day.
On a Saturday evening in Paris, Juliette, Héloïse and Marianne each get their first separate experience of "Parisian life".
A rich Brazilian, Mendoza, visited Paris in 1900 and was romantically involved with the star of Offenbach's 'La vie parisienne' which was playing at the time. Thirty five years later, he returns with his son and granddaughter, who is engaged to a young Frenchman. But Mendoza's puritanical son forbids the marriage. Mendoza and the actress's friends conspire to change his mind and convert him to 'Parisian life.'
She had been a director. He had been a film critic. Lockdowned in their flat, rue des chaufourniers, he begins to carry out household chores, which she would take charge of criticizing.
Two young Parisians, Raoul de Gardefeu and Bobinet, are in love with Metella, a beautiful young woman aspiring to high society. Metella rejects them both in favour of a richer and older man.
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.
In 1906, Viscount Paul de Barfleur fell in love with Cri-Cri delagrange, a singer at the cabaret "La vie parisienne". But the young man's father separated the lovers, who then married, each on his own... Forty-seven years later, in 1953, Cri-Cri and Paul's respective granddaughter and grandson meet by chance and fall in love with each other. The girl's father disapproves of the affair and is about to put an end to it. But the old Vicomte de Barfleur, who has never been consoled by not marrying Cri-Cri, intervenes in time to save the couple's happiness.