La Vie En Vert

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

Few of the characteristics that can be associated with Jean Paul Civyrac can be seen in his first film, a 14 minute short feature. Inevitably, considering its short length, the film is necessarily very much a character study, since there is little room to develop much in the way of a plot. Luc (Jean Descanvelle) is a young man who is determined to do things his own way and consequently conflicts with everyone he meets. He doesn’t give a damn what anyone thinks, isn’t interested in any advice they might have to give and is not interested in assistance from friends or family. He is going to do things his way, and do whatever it takes to make money, which is mainly performing sexual favours for any man who is willing to pay for it.

Five young men from well-off families, whom fate never intended to be partisans in an occupied Paris, so different from one other and yet so close, reject the French defeat and resulting German occupation and decide to take on Nazi Germany.

La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

The twins Eden and Léandro were born severely premature. Once out of the belly of their mother, Laurence, they find themselves propelled into the hostile and worrying world of the hospital, full of the sounds of machines and of doctors in white coats. As the weeks pass in the neonatal service, mother and children fight for survival. Haemorrhages, respiratory problems… Surrounded by the medical team, Laurence lives to the rhythm of the twins, caught between the hope for improvement, fatigue, the ever-present possibility that things will go wrong and the fear they will die. The bond between mother and children is organic, vital. Together, they fight fiercely for life.

In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough and they fear being discovered at any moment. But while her parents sink further into despair, Tauba’s fighting spirit shines through. She finds joy in every little thing, from a piano drawn on the floor, to the views of Paris through an open window. Despite extreme circumstances, she will keep hope until the liberation of Paris, and take back control of her life.

Through many interviews, sketches, some reports, many varied documents, a survey on the relationship of the individual to work.

Two students, Sarah and Philip, after meeting online develop a tragic plan to end their lives. They decide to meet and hike into the mountains where they would jump off a cliff together. They share their thoughts and struggles, looking into enduring issues about family, depression and fulfillment, while also touching upon the unique issues of growing up in the modern world.

He has sold 120 million albums since 1960, that is to say more than 60 years of career and more than 7000 concerts all over the world, but Salvatore Adamo remains humble, concerned about others, his family and his public. Can one write a story with so many good feelings? Without a doubt, he brings to those who follow him always a deep peace and joy. In this documentary, Salvatore Adamo tells the story of his career and his special relationship with his audience. To the sound of his most beautiful melodies, he confides without taboo on his musical journey, his inspirations and his musical and artistic universes in a broad sense.

Footage of beachgoers and boats in harbor, shown in alternating frames taken at different times and shown with different tints.

A brief history of the development of cinema, primarily focusing on French contributions to the art form.

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the technique of a very active camera. (T.H.)

Re-adaptation of the novel by Emile Ajar (Romain Gary). The story of the Arab orphan boy Momo and the aged prostitute Madame Rosa, who survived Auschwitz.

November 2015. Violette's parents are killed in the Paris terror attacks. She is sent to live with her uncle, a gruff man she hardly knows, who is a caretaker at the Versailles chateau. Little does Violette realize that in this intimidating place she will find unexpected refuge and a new family.

A Malagasy singer joyfully recounts how his music saved his life, when he used it as a way of communicating with some violent warriors who attacked him.

Nanda must rethink her plansof studying in Amsterdam when she discovers she is pregnant. After losing the support of her boyfriend Léo, the young girl decides to return home, where she suffers a serious accident and dies.However, Helena, her doctor, is able to save her new-born twins: Francisco and Clara. Unfortunately, Clara suffers from Downs Syndrome. Helena feels a strong emotional tie to Clara and adopts her.Years later, the twins’father Léo, a young and wealthy businessman, returns to the scene, wanting to gain custody of the children.However, Helena and Alex fight to the end to retain guardianship of the twins, whom they have raised with such love.

A chronicling of the life of Saint Therese of the Child Jesus and the Holy Face, a Catholic nun who died of tuberculosis at age 24.