La Vie En

A young American falls obsessively in love with a mysterious courtesan named Melania against the backdrop of a dilapidated Eastern European landscape.

Twenty-something Freddy is becalmed in a podunk French village where the only sign of life is the local amateur brass band and youth aimlessly roaming around the countryside on scooters. He has an intense sexual connection with his girlfriend but has no joy or passion to give her. When she falls for a handsome Arab youth a tragedy unfolds.

When the fun loving Marie sets her eyes on brooding comic book artist Paul, it sets off the kind of romantic sparks that quickly culminate in the bedroom. But the next morning brings its share of surprises as Marie crawls out of bed to discover her life flash-forwarded fifteen years down the road: Not only has she been married to Paul all this time, but she’s now the mother of a little boy the head of a powerful multinational investment firm and the proprietor of a fabulous apartment overlooking the Eiffel Tower. Quickly Marie discovers that all her achievements have not brought happiness.

Julien Roussin-Côté sets out to discover a new way of life, spending time with a different character. This opens the doors of his home, but also of his daily life. The objective of our adventurer is always the same: to understand the life choices of our “disconnected”, in order to feed his own reflection on his lifestyle.

Simon, a young orphan, has an extraordinary power : he can take on the appearance of people he’s already touched. When his best friend dies in an accident, there is no witness. Simon decides to steal his place in his family. Ten years later, the truth will get more and more difficult to bear and to hide...

Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (apparently) contented children. The other family is poor, with rambunctious (even delinquent) children, often hungry, but with lots of laughter in the house.

Separated from her brothers as a child, the now cancer-ridden Mira desperately needs to re-establish the family she has lost.

Julie Andrews starred in Hollywood productions that have become iconic movies, winning an Oscar for her performance as Mary Poppins, a symbol of the magic of musicals from the 1960s. And yet, behind the squeaky-clean image hides a much more tortuous career, with its moments of glory and tough times, all of which explain the longevity of a story that is still being written.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

Hakim has to foil the plans of a shady developer : the count of Neuville. Helped by his friends, he seeps into the count's castle, but he also has to prepare his wedding with Julia.

Jeanne, mother of two children, loses her husband. She meets Pierre, abandoned by his wife.

The documentary series tells of the journey made by Saïd M’Roumbaba (aka Soprano), son of Comorian immigrants born in Marseille’s Northern neighborhoods and now one of France’s most popular artists. It reveals a key element of this success: a friendship “for life” with the three other craftsmen of this saga: Mateo, Mej and Djamali.

About to get married, Stephan visits the prospective in-laws and proceeds to cause chaos.

La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.

Around J.C. we find the apostles Peter, Simon and Judas, as well as Mary, Mary Magdalene, Pontius Pilate, John the Baptist. Cartoon characters and short scenes, each episode tackles the great stories around JC's life with lightness and humor.

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.