La Vie E

Mimi, an orphan, is taken in by a drunken innkeeper and becomes a domestic. She meets Rudolphe, scion of a well-to-do family, who rescues her from the unwanted advances of a drunken hotel guest. They fall madly in love, but Rudolphe's uncle, M. Durandin, wants Rudolphe to marry a family friend, Madame de Rouvre, and writes Mimi a letter, telling her that she is ruining Rudolphe's life. Musette and Marcel, friends of Mimi, also try to break up the romance by introducing Mimi to other men, and Rudolphe becomes jealous and leaves her. Brokenhearted, Mimi declines in health and eventually throws herself into the river but is rescued and taken to the hospital. Realizing it is only a matter of time before she dies, she drags herself back to the room where she and Rudolphe were happiest. Rudolphe is there and she dies knowing that he loves her.

"La Vie au Bout des Doigts" is a documentary film by Jean-Paul Janssen released in 1982, directing Patrick Edlinger totally living his passion, climbing, which he practices here solo ("with bare hands"), it that is, without a rope or any kind of insurance. The film begins with a session of solo sea crossings on the Piade site near Toulon. In the second part, Patrick Edlinger trains in Buoux before carving a solo route in this now famous climbing site. This mythical film in more than one way is considered the first climbing film, that is to say where climbing is an activity in itself and not a means of preparing for mountaineering. His media success was such that he propelled Patrick Edlinger to the rank of world star, and above all he made climbing known to the general public, and was even nominated for the César for best documentary short film.

Few of the characteristics that can be associated with Jean Paul Civyrac can be seen in his first film, a 14 minute short feature. Inevitably, considering its short length, the film is necessarily very much a character study, since there is little room to develop much in the way of a plot. Luc (Jean Descanvelle) is a young man who is determined to do things his own way and consequently conflicts with everyone he meets. He doesn’t give a damn what anyone thinks, isn’t interested in any advice they might have to give and is not interested in assistance from friends or family. He is going to do things his way, and do whatever it takes to make money, which is mainly performing sexual favours for any man who is willing to pay for it.

Five young men from well-off families, whom fate never intended to be partisans in an occupied Paris, so different from one other and yet so close, reject the French defeat and resulting German occupation and decide to take on Nazi Germany.

La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

The twins Eden and Léandro were born severely premature. Once out of the belly of their mother, Laurence, they find themselves propelled into the hostile and worrying world of the hospital, full of the sounds of machines and of doctors in white coats. As the weeks pass in the neonatal service, mother and children fight for survival. Haemorrhages, respiratory problems… Surrounded by the medical team, Laurence lives to the rhythm of the twins, caught between the hope for improvement, fatigue, the ever-present possibility that things will go wrong and the fear they will die. The bond between mother and children is organic, vital. Together, they fight fiercely for life.

Through many interviews, sketches, some reports, many varied documents, a survey on the relationship of the individual to work.

Footage of beachgoers and boats in harbor, shown in alternating frames taken at different times and shown with different tints.

He has sold 120 million albums since 1960, that is to say more than 60 years of career and more than 7000 concerts all over the world, but Salvatore Adamo remains humble, concerned about others, his family and his public. Can one write a story with so many good feelings? Without a doubt, he brings to those who follow him always a deep peace and joy. In this documentary, Salvatore Adamo tells the story of his career and his special relationship with his audience. To the sound of his most beautiful melodies, he confides without taboo on his musical journey, his inspirations and his musical and artistic universes in a broad sense.

Two students, Sarah and Philip, after meeting online develop a tragic plan to end their lives. They decide to meet and hike into the mountains where they would jump off a cliff together. They share their thoughts and struggles, looking into enduring issues about family, depression and fulfillment, while also touching upon the unique issues of growing up in the modern world.

A brief history of the development of cinema, primarily focusing on French contributions to the art form.

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the technique of a very active camera. (T.H.)

November 2015. Violette's parents are killed in the Paris terror attacks. She is sent to live with her uncle, a gruff man she hardly knows, who is a caretaker at the Versailles chateau. Little does Violette realize that in this intimidating place she will find unexpected refuge and a new family.

Re-adaptation of the novel by Emile Ajar (Romain Gary). The story of the Arab orphan boy Momo and the aged prostitute Madame Rosa, who survived Auschwitz.

A Malagasy singer joyfully recounts how his music saved his life, when he used it as a way of communicating with some violent warriors who attacked him.