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"Le Saboteur" is the second episode of the collection "Les batailles de la vie"
Grandmother Hall, aged fast falling in health, is greatly comforted by her only two grandchildren, daughters of her own daughter long since past before. She has made a will in which she stipulates that Lawrence, her son, shall inherit her wealth providing he assumes the care of her grandchildren, and who are, of course, his nieces. She dies. Lawrence claims the estate and orders his nieces to get out and earn their own way. A second will is found, properly filed and recorded. It is read and they learn that it is a repudiation of the first will, should Lawrence fail to live up to the terms therein. Lawrence tries to break the will but fails and the estate is ordered delivered to the girls. The granddaughters kind-heartedly offer Lawrence a home with them.
Today, film is no longer used to take photos, but to capture memories. On the day of the "Black-out", the pictorial traces left by digital technology disappear...
A French documentary charting the life of the Spanish artist Pablo Picasso through the events of 13 significant days of his life, including his marriage to Olga Kokhlova, the birth of his daughter, the bombing of Guernica and the death of Stalin. Archive footage of Picasso, his lover Françoise Gilot, writer Jean Cocteau, photographer Brassat and critic Pierre Daix is accompanied by new interviews with Picasso's daughter Maya and son Claude.
En Avant l’Etoile du Nord ou La Joie de "vie” is a documentary by independent journalist Christine Loÿs exploring French history, heritage, and identity in Minnesota.
The players of the French team were followed during all their preparation before the competition but also after the end of the World Cup, while they found their families and their clubs.
A short film screened Il Cinema Ritrovato 2021. The film demonstrates "the inability of most filmmakers to meet a foreign culture in an appropriate manner, while offering gorgeous cinematographic shots from African landscapes, an important raison d’être of the genre." (Karl Wratschko)
The film shows newsreel items from the 1920s on through World War 2, and the Nuremberg trials for people considered responsible for war crimes, and crimes against humanity. The war scenes come from Austria, Czech Republik, France, Belgium, Poland, Russia, England, Italy, and Germany. The courtroom trials serve as a parade in which each person is identified by name, and occasionally to his sentence of responsibility denial.
