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Gute Zeiten, schlechte Zeiten is a long-running German television soap opera, first broadcast on RTL in 1992. The programme concerns the lives of a fictional neighborhood in Germany's capital city Berlin. Over the years the soap opera tends to have an overhaul of young people in their late teens and early twenties; targeting a young viewership.
Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.
France, 17th century. François de Marciac, a young man from Gascony, arrives in Paris with the purpose of joining the prestigious corps of the king's musketeers.
Pictures of travel in such places as the Orient and the black continent are always sure to be interesting, for not many of us have sojourned in these countries. In this picture we see the black race in their own land and have an opportunity of studying their peculiar ways at close range. We see the natives unloading the boats and carrying the merchandise to the shore on their heads. The grain is heaped up and they sort it and make their flour by breaking the grain between two stones. They are seen weaving rugs, the men at work washing the clothes, and the women attending to their duties of cooking and feeding the little ones. We see the Pacha going among the poor and distributing food to the unfortunates, who clamor for it like hungry wolves. Lastly, there is a fête on the public square, and the girls are dancing the native dances, while the men sit around and gamble
Theoretical film essay dealing with the main ideologies of mainstream commercial cinema.
The film shows newsreel items from the 1920s on through World War 2, and the Nuremberg trials for people considered responsible for war crimes, and crimes against humanity. The war scenes come from Austria, Czech Republik, France, Belgium, Poland, Russia, England, Italy, and Germany. The courtroom trials serve as a parade in which each person is identified by name, and occasionally to his sentence of responsibility denial.
An amused and impertinent chronicle that shares with us a few months of the life of independent art house cinemas with demanding programming. The film talks about freedom, independence, possible alternatives to multiplexes and programmed normalization, the role of the spectators in a process of resistance that is growing and takes us far beyond the cinema.
In this two-part series, we take a look at the monumental discoveries underway, specifically surrounding black holes and meteorites. Black holes have been revealed as one of the foundations for the basic conditions of life. Through black holes, life is possible in an infinite number of places in space. We also follow how meteorites brought the basic substances of life to our planet, allowing for its creation. The films describe the latest findings concerning cosmic events in relation to the origin of life, providing a grandiose perspective of what makes life possible.
Life's extraordinary journey to conquer, adapt and survive on Earth across billions of years comes alive in this groundbreaking nature docuseries.
A documentary series focusing on the music from Marvel Studios’ Black Panther: Wakanda Forever. The show centers on the songs and score from the movie and features interview with director Ryan Coogler, composer Ludwig Göransson, among others.
Explore the wonders of one of the last untouched places on earth, the far-off land of Patagonia in South America.
