La Vie Au Ranch

They’re dirty, vulgar, dishonest, grouchy, uncultured. They’re also a big, happy family. The Bougon are a joyous bunch of scoundrels who live on the margins of society, doing whatever it takes to scam their way through life, thinking up new schemes for avoiding work, and never conforming to the system.

January, 1920. 350,000 French soldiers remain missing in action. Major Dellaplane tirelessly matches the dead and the wounded with families' descriptions. Honor and ethics drive him; he hates the idea of "the unknown soldier." Into his sector, looking for her husband, comes a haughty, politically connected Parisian, Madame Irène de Courtil. Brusquely, Dellaplane offers her 1/350,000th of his time, but as their paths cross and she sees his courage and resolve, feelings change. After he finds a surprising connection between her missing husband and a local teacher, Irène makes Dellaplane an offer. This man of action hesitates: has he missed his only chance?

When the fun loving Marie sets her eyes on brooding comic book artist Paul, it sets off the kind of romantic sparks that quickly culminate in the bedroom. But the next morning brings its share of surprises as Marie crawls out of bed to discover her life flash-forwarded fifteen years down the road: Not only has she been married to Paul all this time, but she’s now the mother of a little boy the head of a powerful multinational investment firm and the proprietor of a fabulous apartment overlooking the Eiffel Tower. Quickly Marie discovers that all her achievements have not brought happiness.

Sarah goes to her parents' anniversary weekend accompanied by Hermione, her girlfriend's ten-year-old daughter. But the absence of the latter does not take long to raise questions.

Is it possible, when you come from a family of Maghreb immigrants and you are a girl or a woman, to invent your life, to choose to leave the traditional universe, to break up with your family, without renouncing that which bases you, to the recognition of your own? Four portraits of women bear witness to a generation that lives its life through its own choices. Their mothers were illiterate but dreamed of a university education for their daughters. They invested their children with their hopes, but also with their lacks, their solitudes.

Pam is twenty. She and her girlfriends hang out together on the couch at The Ranch, the apartment she shares with Manon. Sitting around chatting, drinking, smoking, and dancing are part of life at their age, but there comes a time when you need to cut loose from the group and go your own way...

For the first time is covered in a film, the theme of Art Therapy (paramedical care) and its benefits in the non-pharmacological management of patients with Alzheimer's disease. A new approach, a new way of cognitive stimulation, the concept of neuronal plasticity is discussed. Art therapy can restore physical, psychological and physical well-being in the PERSON, through the power of ART and following a therapeutic protocol! The message throughout the film is that of a humanistic approach towards one who is helpless in the face of Alzheimer's disease and can still live sublime moments until the End! A message of hope, a message of love, a message of LIFE!

"La Vie au Bout des Doigts" is a documentary film by Jean-Paul Janssen released in 1982, directing Patrick Edlinger totally living his passion, climbing, which he practices here solo ("with bare hands"), it that is, without a rope or any kind of insurance. The film begins with a session of solo sea crossings on the Piade site near Toulon. In the second part, Patrick Edlinger trains in Buoux before carving a solo route in this now famous climbing site. This mythical film in more than one way is considered the first climbing film, that is to say where climbing is an activity in itself and not a means of preparing for mountaineering. His media success was such that he propelled Patrick Edlinger to the rank of world star, and above all he made climbing known to the general public, and was even nominated for the César for best documentary short film.

Philippe like to film people in public spaces. Observation turns into an obsession when a couple moves in front of his house and sows confusion in his sexual identity.

This is, for 1906, a strikingly ambitious prototype-documentary travelogue filmed in and around the cities now called Kolkata and Mumbai. It's full of precious, occasionally startling images, from an extended 'phantom ride' down busy Calcutta streets to thronging port life, street trading, even the cremation of a human body and the ritual decapitation of lambs on a Bombay street – a scene some viewers may find upsetting. This is a French production but, like many of the 'exotic' travel films so popular in early cinema, it travelled widely itself – hence this version, with English language intertitles.

Barroso is an isolated region of Portugal where people live at the rhythm of the herds and the seasons. There, one can witness an ancestral way of life which will probably not last. Everyone knows it is the end of it soon and secretely draws the meshes of sparse memories. The memory resists, the setting serves as a mirror. In reminding us what we used to be, it also reflects what have become.

La vie est dure, nous aussi is a sentimental comedy with a protagonist who is extremely discreet, extremely solitary and extremely egotistical. Charles, a native of Marseilles, is now living in Paris, and he has to take care of the dog of a girlfriend. He is also an insomniac and a hypochondriac. But he has one virtue: he loves to listen to people. Walking the dog opens up new territories for Charles who is discovering something new each day. One day a girl crosses his path, and he immediately recognizes her as the love of his life. There is one problem. How is he going to find her?

Juliette has fought to keep her family's oyster business, called La Claire, afloat. She is ready to fight even harder, now that her heritage is threatened. On her Breton island, Juliette has to face developers who want to occupy her production site at any price to build a thalassotherapy center. Despite their tempting offers, Juliette refuses to sell and inevitably attracts the enmity of the industrialists who only think in terms of profitability and easy money. The conflict becomes more and more radical, each side sticks to its position and the confrontation risks going beyond the legal framework.

Street scenes from Cairo.

This Civil War anthology adapts three Ambrose Bierce stories "An Occurrence at Owl Creek Bridge," "Chickamauga" and "The Mockingbird."