La Vie L

The daily lives of the inhabitants of "le Mistral", an imaginary neighbourhood in the Mediterranean port city of Marseille, where wealthy families cross paths with the less than rich.

C'est La Vie, Mon Chéri or New Endless Love is a series starring Fiona Sit and Aloys Chen based on an adaptation of the 1994 Hong Kong movie, also known as C'est la vie, mon chéri. Both the movie and the series are directed by Derek Yee.

Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

École Marie-Labrecque is a one-of-a-kind institution: The 60 girls who study at the school are all between the ages of 12 and 17, and they're all pregnant or new mothers. The school's mission is twofold: to give them an education and to prepare them for motherhood. It's It's a huge challenge and they have only a few months to get ready.

A story is about young teenage girl, with sister and brothers, a pleasant uncle and aunt, an annoying nanny, a young boy interested in kissing her, a close relationship with the imaginary addressee of her daily diary and her parents' disintegrating marriage - all this in a rented house in a summer resort.

La petite vie was first a stage sketch of the comedy duo Ding et Dong, formed by Claude Meunier and Serge Thériault, and later a hit Quebec television sitcom aired by Radio-Canada from 1993 to 1999. In total, 59 episodes were created plus 3 specials, two for Christmas and one for New Year's 2000. It is to date the only Canadian TV show to ever gather more than 4 million viewers, a performance it achieved twice in 1995.

Twenty-four short films by 24 female writers, performed by 24 women actors, all based on women’s real life experiences of sexism, harassment, and violence. A diversity of female voices and talent from across Europe come together for a series that tackles head-on the everyday brutality experienced by women.

Unable to make it as a commercial success because he staunchly refuses to sell out, a struggling Hong Kong musician rediscovers his love of music and regains an interest in his life's meaning through his relationship with a dying girl.

Jean-Luc Godard proposes a diary of his creative process. Looking at photos of three actors, Jacques Dutronc, Isabelle Huppert, and Miou-Miou, who were previously cast to play in "Sauve qui peut (la vie)," Godard speaks about great image makers: Dreyer and Wim Wenders, the painters Edward Hopper and Pierre Bonnard.

Acrobats, clowns, contortionists, hypnotists, magicians, musicians, tightrope walkers, jugglers and others world-class artists perform their greatest routines in front of a live TV audience.

Bandits and a well-known drug dealer plan an assault on the infamous jewel of the Baroness of Sanfins. In between, and among the experiences of three forty-year-old friends, a beautiful love story unfolds. In the end, who will get the jewel?

The joys and trials of five funny, intelligent and sexy young adults bound by the sacred ties of friendship.

an artistic exploration of a woman's life through poetry

In the mid-1980s, one team dominated the cycling headlines: La Vie Claire. Despite a ferocious internal power struggle between two of the sport’s biggest stars, they racked up more than 100 wins. Wearing their iconic Mondrian jersey, Bernard Hinault and Greg LeMond won two of the most infamous Tour de France victories of all time. Bankrolled by the controversial businessman, Bernard Tapie, La Vie Claire rewrote the rulebook on both bike racing and fashion. Dan Lloyd is joined by special guests Pippa York and William Fotheringham to discuss how the team turned a recipe for disaster into a period of complete dominance.

They’re dirty, vulgar, dishonest, grouchy, uncultured. They’re also a big, happy family. The Bougon are a joyous bunch of scoundrels who live on the margins of society, doing whatever it takes to scam their way through life, thinking up new schemes for avoiding work, and never conforming to the system.