La Source

A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favours as long as the men refuse to install a water pipe.

Samir lives in the projects of a second zone city in France. He is bored, rebellious, and on the verge of becoming a small-time criminal. Until his dad brutally dies and he has to become a plumber to be the breadwinner for his family. But accompanying his younger sister to the public library, he stumbles upon a surfing magazine and has a revelation: he too shall ride the waves professionally one day. The hiccup? He doesn’t even know how to swim. Enters an ex-bodybuilding champion and local loser who takes him under his wing and decides to help. Samir then leaves for the French surfing beaches, determined to make his dreams come true.

The film starts in the Department of Ardèche with the Mont Gerbier de Jonc (1551 m) from where emerges the "true" source, the official, most distant one from the mouth of the Loire (1012 km), the longest wild river in France. The work looks closely time-wise on the first kilometers of the river's water flow. The scene's sound meets up with us at the end.

In Jean-Guillaume Bart's new choreography of La Source, a fantastical Persia becomes the backdrop for the tempestuous love affair between the hunter Djemil, the beautiful Nouredda, and the sprite Naïla.

In a popular neighborhood in the Paris suburbs, hours and days following an attack committed in Paris by Brahim, a young man from the hood. His family and friends are shocked and wonder…

In the darkness of a chalet from a past century, between the cracks and dirt of an old mirror, someone appears. It's Lisbeth. She advances in her robe cautiously, trying not to wake Anne who is still sleeping. In front of his reflection, he discovers his shoulder. The skin is chapped, dark and bloody. The disease has returned.

In La Source (pronounced lah-soos), Haiti water does not come easily. Each day, villagers of this small, rural community must choose between enduring a long, treacherous walk to retrieve clean water or drink contaminated water from a nearby river. For over 30 years, the villagers have attempted to address this problem by constructing a means of channeling the water from a natural spring in the mountains, but with limited funding and an unsupportive government their attempts to provide clean water were to no avail. Since he was a teenager, Josue Lajeunesse, along with his brother Chrismedonne have dreamt of remedying this problem for their people. In 1989, Josue moved from La Source to New Jersey where he found employment as a custodian at Princeton University. His custodial work and second job as a taxi driver, which total close to 20 hours a day, allows him to send money home to La Source so that he and Chrismedonne...

Drey is nineteen and a student in Paris. After a six months absence, she comes home to her housing estate in the countryside, her friends, her family and her boyfriend. But what was supposed to be a pleasant visit slowly turns into a confrontation.

Documentary on erotic drawings by the painter André Masson.

For La Source de la Loire, I was in Paris, looking for a job... All the time, the word source followed me (it turns out that my grandparents lived near the source of the Loire.) The word source escapes the world, it gives without taking anything. Suddenly the autumn, it was necessary to shoot, but it was not for me, it had to become a necessity, one has to be wary because that is not what is in the film.

The Paccha-Picchus are festive little creatures. They live a carefree daily life in sync with the mountains. When the mountains come, their oasis rises and they are lifted up into a winter climate. The Paccha-Picchus are very fond of the winter climate, which is vital for them. But one day, the mountains stop coming and the restless Kinko decides to go looking for them.

Through the youthful portraits of some of the most terrible dictators of the 20th and 21st centuries, this documentary examines the origins of tyranny. Is a dictator the product of a family, social and historical context?

A feature documentary film set in Hollywood, examining a radical experiment in '70s utopian living. The Source Family were the darlings of the Sunset Strip until their communal living, outsider ideals and spiritual leader Father Yod's 13 wives became an issue with local authorities. They fled to Hawaii, leading to their dramatic demise.

Four outcast teenagers acquire mystical powers that allow them to become gods on campus, with deadly consequences.

Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.