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A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.
La moucharde stars Dany Carrel as a young miss who loves neither wisely nor well. Duped into a life of crime, Carrel remains on the wrong side of the Law because she's hopelessly in love with a two-bit crook. Soon she becomes as jaded and hardened as her criminal cohorts. When the police threaten to throw her in the Bastille, Carrel agrees to turn informer, with the expected disastrous results.
Nora and Antonio organize a prestigious celebration and invite their humble relatives.
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
Jan Bucquoy narrates the story of his sexual life to age 28, imagining his conception (parents drunk, the encounter lasting ten seconds) and reporting his first orgasm (at the hands of Eddy, in a beach-side caravan, as they watch Laurel and Hardy), his comparative experiences with girls, and his move from Harelbeck to Brussels. There he meets Greta, bartender at a Bohemian cafe, who teaches him the Kama Sutra, the naked Esther, who reads him stories, and Thérèse, his wife for three years. They split after two children; he moves to a small flat, writes pornography to pay the bills, works sporadically on a novel, espouses anarchism, and meets more women. His self-confidence grows.
Between 1967 and 1976, Italian writer Goliarda Sapienza (1924-76) wrote The Art of Joy, a subversive novel about the dazzling social ascent of a rebellious heroine; too scandalous to be published at that contradictory time.
Ginette is at phone with the famous Rachah Rangers, who hosts a daily radio program. She talks about her break with Richard, her various relationship problems, her desires, fears and reproaches. Her friend, Simone Barbes, advised her to live, urgently, a new relationship ...
La Dueña is a Venezuelan telenovela that was produced by and seen on Venezuela's Venezolana de Televisión. An original script written by renowned Venezuelan telenovela writer José Ignacio Cabrujas in collaboration with Julio César Marmol. The telenovela was inspired from the novel The Count of Monte Cristo written by Alexandre Dumas, though they changed the main protagonist from male to female. Nardy Fernández was in charge of production, José Salas was in charge of the scenery, María de las Casas was in charge of the environmentation, and Tomás López was its director.
Jean-Louis Matouzec works for French National Library as an expert looking after the restoration of old manuscripts.He falsifies marriage certificates as his wife refuses divorce.
The heir of a geranium farm meets a strange death.
Capulina chip and are transported back to prehistoric times with a time machine. There they live crazy adventures.
Lisa, a mother of two, is gradually being consumed by her alcoholism while her husband Vincent is busy with his career and underestimates the gravity of the situation, simply avoiding the subject.
