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La empresa is a strange creature of a most ambiguous nature: a fiction film about documentary filmmaking as fiction filmmaking, and what it all does to a region’s economy as well as a collective psychology. Or is it? Isn’t it more to the point to say that... But before we get lost here, let’s state what La empresa talks about: how the caminata nocturna, the illegal crossing of the border between Mexico and the United States, was turned into a business that ranges from four-hour night-time tours for tourists out for a sick thrill to reenactments for film and television crews. The latter, of course, is at the core of André Siegers’ casually ironic look at this economy of disaster. When the Germans arrive in town, they meet a workforce already in place and willing to play to any national stereotype – as the French seem to get other kicks out of presenting the caminata nocturna than the Netflix internationals.
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
The film takes place entirely in a gym, outdoor swimming pool and table beneath umbrellas where guests can have lunch. The action has a interweaving of betrayals heterosexual and homosexual.
LA LUPA is a documentary that explores the different experiences of motherhood. Some personal adversities reveal the director the desire to be a mother but at the same time they boots her to interpellate and deconstruct herself. Her search develops in the international context of a new feminist wave. Identified with a gender perspective, she travels through three countries that influenced her: her homeland, Argentina, Italy and the country of her maternal grandparents, Norway. In this sentimental journey, she focus in the dominant patriarchal system, contrasting the cultural differences in the role of women, the social realities that propitiate or diminish family development and the encounter with women who inhabit motherhood in different ways, discovering in the nature of a winding and rhizomatic journey to find her own way.
An Argentine photographer, correspondent in the war in the former Yugoslavia, who is fired in 2002 for refusing to fire colleagues at a TV channel, keeps his compensation in a bank in Buenos Aires and looks for work. Suddenly, “el corralito” appears and, despite a law approved in Congress, the Government does not respect it and negotiates with the money from savers. Given this, the photographer surrounds his body with sticks of dynamite, goes to the bank where he has his $150,000 and threatens to blow up everyone who is there if they don't give him theirs. When he is released from prison, he flees and seeks refuge where he was born and raised 35 years ago. There he meets his best friend, who helps him defend his life.
A man falls in love with a terrorist.
Empire-building philanthropist has no time to indulge his wife's romantic fantasies.
Returning late from a romantic date, a man searches for every possible and unimaginable excuse to explain his lateness to his wife. His guilt turns on him when he finds out she's not home. The character created by Sasha Guitry in 1915, eaten away by jealousy, then imagines all her adventures.
Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
Three friends leave their village for a retirement home travelling the countryside
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
Michelle lives in Paris with René, who is influential politicians. One morning as Michelle discovers that her 18-year-old daughter Lauren has not come home from a pub tonight. René does not want to involve the police, because he does not want a scandal that could affect his political career negative. They decide instead to hire a private investigator. It turns out that Lauren has been kidnapped to be used by a gang producing snuff. Detective withdraws from the case, however, because he fears for his life and Michelle decides to find their own daughter. The hunt goes by porn swamps in Paris, Amsterdam and Hamburg.
Stéphane Blanchon lives a quiet life in Switzerland with his wife, Christine, until a young American boarder named Belle, who was living with them, is found murdered. Despite Stéphane's innocence, the evidence points to him, and he learns that Belle harbored romantic feelings for him. Suspicions mount against him; even Christine thinks he is the culprit. Stéphane's sanity begins to crumble, and he lashes out in unprecedented ways.
