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The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself.
La reine rouge is the direct sequel to the novel 5150, rue des Ormes by Patrick Senécal, telling the story of Michelle Beaulieu, who has become a merciless killer, fleeing to start a new life following the terrible events of the kidnapping of the young Yannick Bérubé and the murders perpetrated by his father Jacques Beaulieu.
Called in the middle of the night to attend a birth in a poor and large family, Emma Goldman, a feminist anarchist, strives to relieve the suffering of the woman in labor. Back at home, she finds herself confronted by her companion Ed, exhausted by her absences.
The margins of the big city: the logic of exclusion, abandoned lives and shacks, the need and energy to put into words and images the hidden grace of relegated existences.
A veiled 16 year old Iranian teenager is terrified to take her red suitcase from the carosel at the Luxembourg Airport, and go through the exit doors. Her fear grows with every second in the face of what awaits her beyond the gate.
An elderly millionaire manipulates an avant-garde writer and a happily married man.
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
A violent night sends cycling champ Rick Van Pelt into a neon-drenched fever dream. Fuelled by scotch and paranoia, he confronts Isaac about an affair with his fiancé. A shocking turn of events unveils their scheme to rip off a reclusive art dealer. Eccentric friends, old and new, fail to save Rick from the nocturnal underworld and his demons personified - a renegade detective his only hope.
Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.
Nearly 13, Alice rebels, telling the Paris police that her mother is a murderer. Alice has no evidence; her mother, Eva, rich and powerful, avoids charges. Alice promptly runs away, determined to find her dad whom she claims lives in Portugal. The police believe he is dead and that Alice is in denial. Nonetheless, they dispatch Anita, an Italian police officer on loan to the French, to find Alice and bring her back. Meanwhile, Eva has launched her own paramilitary force to hunt for Alice, and Alice has found a protector in Hugo, an ex-soldier turned hit man and gang member. He promises to get her to her father. All roads lead to a small town on the Portuguese coast.
A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with his bare hands.
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
In an undetermined time and place, where civil war is raging, two young girls, Agnès fanatic of revolutionary ideology and soft and carefree Pop, weather the storm by constantly opposing each other...
