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Mexican feature film
Mexican feature film
Mama, Papa and the two kids try to break into showbiz as a singing quartet.
Lost short film
A musical with different singers, musicians and Argentine comedians of the eighties.
We remain on the street, this space that is perhaps the great territory of invention for Latin American cinema. Held at the Centro de Cine Experimental of the Universidad de Chile - one of the most prolific and enduring poles of militant cinematographic production at the time -, this experimental fiction about class relations is one of Miguel Littín's first films, which would become one of the central references of the political cinema in Latin America. Por la tierra ajena was one of many films that sought to take part in the process of raising awareness that would lead to the election of Salvador Allende in 1970.
A couple brings home a painting of a flamenco dancer . At night the young woman gets out of the painting. And this is the beginning of a great orgy .
During the Spanish occupation of Naples, the people led by Tommaso Aniello - known as "Masaniello" - plot against the Viceroy. The Viceroy's son, under another name, has a son from Masaniello's sister, but his father has already planned a marriage for him with a Spanish patrician against his wishes.
Ana records an audio message to an old friend. She doubts.
Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.
