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This documentary tells the story of the Andalusian group "No me pises que llevo chanclas" and explores the history of comedy music in Spain.
A cruel drug dealer arrives into a city to kill his enemies and cut their heads off.
Unlike the previous three installments, the edition about Minister Diego Portales remained practically far from historical events and focused mainly on the development of his complex personality. Portales was portrayed as an ambivalent character, similar to the current discussion about considering him as the man who organized the Republic or a ruthless tyrant. The story starts with the visit of the protagonist in his capacity as Minister of War and Navy to a military regiment in Quillota, which revolts and captures him. During his imprisonment, Portales narrates his life to his edecán, Eugenio Necochea, as the politician realizes that his death is every minute more accurate.
Poetic, delicate, engaging. "Portrait de Rosa, à la française" gently draws you into this passionate love story, with a love text that fits well with the images of Rosa's smiling face. A narrative that recalls the “nouvelle vague” interpreted with today's eyes.
Directed by Tony Palmer for Melvyn Bragg's British television South Bank Show, this doco on Callas uses interviews with those that knew the Greek soprano, news footage, and Callas herself talking intercut in time with footage of her singing, often with the choice of music commenting on her life, though regrettably none of the music is identified for us.
During a mother's dream comes up Gloria Rivas as a vamp who crushes her son's life.
The appearance by ass
Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass.
Ernesto Guevara La Serna, known worldwide as “El Che”. The documentary rescues and recognizes the importance that Peru had in his training as a doctor and as a politician. Discovering it for many will mean recognizing ourselves as a country rich in realities and difficulties, as well as in dreams and utopias that nourish and have nourished the history of our continent.
