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A film by Paul-Armand Gette.
Pascal had such a battered, so painful, so violent childhood that he would have every good reason to paint everything black. However, the painter from Gençay puts color everywhere, all the time, without respite, without rest. Compulsive and inexhaustible, his art brut is the tool of his resilience. Throughout the bond that is forged with the director, we follow him on the path to recognition.
"For the son of a worker, a technical baccalaureate is not bad enough! Bernard Kudlak, the future artistic director, took exception to this prediction by an uninspired guidance counselor. This was the starting point of Cirque Plume: the story of a group of friends who, destined for the factory, chose to invent the lives of artists. With no technical training, they embarked on the adventure, unaware that they would contribute to the invention of a new artistic genre. Founders of the troupe, guest artists but also show technicians, administrators, cooks... Twenty-five characters tell us about the various stages of the troupe's construction, from the carefree days of their twenties to the need to reinvent themselves, from DIY to a cultural enterprise. An epic story shared by its protagonists.
When the construction of the Aswan High Dam threatened to destroy the Ancient Egyptian monuments of Nubia in the 1960s, archaeologists from around the world came together to save these precious pieces of history. One of those heroic researchers was Dr. Abraham Rossenvasser, a self-taught Egyptologist from a small, poverty-stricken Jewish colony in Argentina. While Rossenvasser’s expedition rescued thousands of historical treasures from imminent destruction, his story is not often told. In From Sudan to Argentina, Charlottesville-based filmmaker Ricardo Preve rescues the legacy of this forgotten figure, and ensures his deeply impactful work can be celebrated. Told largely through the eyes of Rossenvasser’s daughter, Dr. Elsa Rosenvasser Feher, this documentary shines a well-deserved spotlight on the remarkable efforts of a man who committed himself to preserving crucial parts of history for generations to come.
D.J. Tanner-Fuller is a widow and mother of three. Things become too much to handle, so she asks for help from her sister Stephanie and her best-friend Kimmy.
A day at the beach in 1901.
"...it had no plot. The film was more a study of people's behavior, shot in 16mm with a hand-held camera, which was hidden most of the time. In its execution it was like my New York film 58-59, except that it was filmed in sunlight almost the whole time, on a public beach, and in the cafes nearby. There was no spoken commentary, only the actual sounds and typical Cuban jukebox music." - Nestor Almendros, A Man With a Camera
Eleonor, a beautiful young woman, works as an artistic director in the advertising agency of her ex-husband, Michael. The latter never fully overcame their divorce and decides to hire a man, Gregoire, to seduce his ex-wife and then dump her so that she suffers as much as he did..
Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.
A parody of feminist criticism on found footage covered by humoristic chisellings, signs or hasty figurative elements. Sometimes, chisellings are fine, and sometimes they are treated in large shots (razor tears, acid, cutting the film itself, wide spraying, thick stamps). A bedsheet is used as the final screen from which various women's evocations are represented.
George Pal cel-animated hand-drawn commercial for The Philips Company 1930s 335 Shortwave Radio.
The story of the relationship between Dora Maar and Pablo Picasso
