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8-year old Alice and her brother, the 5-year old Lucas accompany their parents to visit their beloved grandfather in the hospital where he is to be dying. All baffled, they observe the adults wearing each other down about a situation that seems so evident to the children. They decide to take matters into their own hands...
Explore New York City at night through the eyes of a taxi driver.
Isabelle Clarke's follows with her camera the shooting of Claude Lelouch's film Les Parisiens ("The Parisians"). With an artistic and lighthearted vision of a movie set, Isabelle Clarke takes us into the bonding of the family of a film team, which only lasts for a couple of months.
This video self-portrait draws inspiration from the storytelling tradition of A Thousand and One Nights, in which extraordinary characters become commonplace, and Georges Pérec’s infamous book Je me souviens (I Remember), which collected the remembrances of an entire generation in France. The artist’s voice emerges to claim its autonomy amid a social realm in which the collective supersedes the individual.
A lonely night watchman, whose quiet routine revolves around stargazing, faces emotional upheaval when his girlfriend reveals she's pregnant and leaves him, while a troubled young man records a farewell video to his ex.
"As far back as I can remember I've never been hungry". That's how begins the autobiographical story of a man - the movie maker himself - who reports both the anorexia nervosa that he went through as a child, then as a teenager, and the difficult relationship that, as an adult, he's been sustaining with foodstuff, or with the mere act of ingesting solid food.
French horror short from 1965.
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
After a late night high school graduation party, Chantal and Delphine find themselves walking home alone in the dark. Lost in the forest, their long night walk is punctuated by carelessness and an irrepressible desire to exist.
Alone on stage, at the dawn of his forties, Fabrice Luchini renders the reflections of the suburban doctor Louis-Ferdinand Céline. Benoît Jacquot, with his nuanced black and white, films the actor impregnated with words full of pain.
