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"The Apples" (1955) is the graduation film of two of the most important directors of the following decades, Iulian Mihu and Manole Marcus, and shows a young couple mocked by a nobleman because they had stolen some apples from his estate.
Two contestants have to make their mother’s signature dish under her supervision, but without her being able to touch anything in the kitchen. It is then be up to the judge to determine, based on the dishes put forward, which mother cooks the best.
They are possessive, benevolent, clumsy, absent, omnipresent, overwhelmed, guilty, indulgent, loving, fragile, in full possession of their wits, or losing their heads. Alive or already a memory. They are mothers, and it’s their party.
Pierre, a successful 33-year-old florist, has his life turned upside down by the sudden arrival of his mother Judith, whom he hasn’t seen for two years. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: bring her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever.
The parents' violence on their children. Father and mother can each have hidden violence in the family universe.
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen.
A 4th short super 8 film made by Chantal Akerman with her friends in Brussels, shot in front of the former Hotel van Cleve-Ravenstein coincidentally the place where now CINEMATEK and the archives of the Chantel Akerman Fondation are residing.
A short film about two mothers from Niger and how they care for their children.
Maxim is a young Muscovite who journeys from Russia to the south of France to visit his mother in her home amidst the lofty mountains of Montagne Sainte-Victoire. He finds her in poor health and is overwhelmed with grief when she abruptly passes away. In the throes of mourning, he reconnects with his French half-sister Marie Louise, whom he hardly saw. Despite the language barrier and accustomed estrangement, the pair grows closer through their shared sense of loss.
After Coralie was found dead in a vacant lot, her mother Catherine - who thinks that her daughter was murdered - conducts her own investigation.
This documentary short offers practical advice for mothers on how to take care of their babies, such as feeding and bathing.
In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.
Dressed as a virgin mother, Michel Journiac tears down his garment and reveals a rag doll tied to his belly. He frees it carefully, presses it against his heart and caresses it gently, then he smears it with blood and stuffs it with raw meat dripping with blood. Finally, he wraps it slowly in a white shroud, he buries it, then collapses to the ground, overcome by grief. This action took place without an audience and was prepared with a screenplay.
