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As its title indicates, La Mort du Cygne (The Dying Swan) is set in the special world of the ballet. Young dance student Janine Charrat idolizes her teacher-role-model Yvette Chauvire, and will do anything to help Chauvire further herself.
Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Congo) when he was assassinated in 1961.
When Massa is released from prison, he's sure that Luciano, an old freind, is responsible for his incarceration. Massa proceeds to keep watch on Luciano, who has been living with Massa's beloved sister Maria. Feeling doubly betrayed because of his unhealthy adoration for Maria, Massa is determined to get back at Luciano and ends up in a deadly game of roulette.
No available plot
This meditative French-Canadian film tells the story of a young woman's search for the father she has never known. Marie Chapdelaine (Carole Laure) grew up in a remote area of Quebec without ever knowing her father, a lumberjack. She moves to Montreal, settles in there with a job as a topless dancer and begins her search for him. Eventually, with the help of his former mistress, they find the lumber camp he was working in, only to discover that he was killed in a labor dispute.
Judith, a young girl, awakens from a very bloody nightmare, She looks around her, all seems in order: her sister is there a sleep.
Michel, a children's book author, has always been successful in life until the day his wife leaves him for a Chinese person. Planning on killing his rival, he starts looking for them.
A young doctor is asked by her husband to choose between her profession and her family.
A factory siren sounds, workers punch in, the machinery starts... Aubier makes use of a series of successive pictures to portray the series of events that completes a cycle.
The final chapter in a trilogy by Antony Hickling. The theme of sexuality still predominant the film explores the abuse of the central character Irina as she reveals her sexuality to a hostile society. Ultimately saved by her relationship with man who allows Irina to finally escape her Tormented past. The film remains theatrical in its style and form.
Santa is dead and many believe they are guilty. But what really happened?
This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France is sent back to the place where she was raised – Senegal. She returns to the lost village of her ancestors hysterical, argumentative and unproductively rebellious. Now the mother of a toddler, she continues to come to terms with the two cultures; the outcome is unforeseeable, as is the outcome of this cinematic long-term observation. The risk of its failure due to its protagonist is palpable. But Koumba’s fascinating metamorphosis is also obvious, her body and character have taken on a more harmonious nature. All hope is not lost.
Gab was thrown out of the flat by her mother. In the hustle and bustle of Paris she now searches for an apartment.
In a world where the economy is no longer at the service of man but the man at the service of the economy, productivity objectives and management methods push employees to the limit. Never diseases, accidents at work have reached such a level.
Directed by Albert Capellani.
The trilogy 'Of Blood, of Pleasure and of Death' (1947-1948), which began with Psyche (1947), the first film, produced by Gregory Markopoulos in 16mm, based on an unfinished novel by Pierre Louÿs, is completed with Lysis and Charmides, both based on Platonic dialogues. Addressing themes of homosexuality, these three films illustrate a symbolic use of colour and composition. (Centre Pompidou)
Marguerite Duras tells the story of the death of a young English aviator in a French village.
