La Mort D Empédocle

A provocative erotic drama about a Japanese food delivery man, a Taiwanese prostitute and a Filipino cleaner who are swept up by their insatiable appetites for sex.

An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

One night, Leo, a Spaniard working in Brussels as a subway driver, sees a young man on the edge of the platform, just before he falls onto the tracks.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

This documentary series examines the Einsatzgruppen, Nazis responsible for the mass murder of Jews, Romani and Soviet prisoners in Eastern Europe.

Ah-Xian resides in the heavily polluted industrial area in Kaohsiung, surrounded by a multitude of refineries and chemical plants. She takes on multiple jobs to support her family financially. After she lands a new part-time job as a bathroom cleaning lady on the midnight shift and encounters a young bar patron, she begins to re-examine her life, her marriage, and her family values. Her desire to change reaches a climax.

Behind the wheel of her little car, Nicky seems to be on a mission. Roads pass by but the ideas in her head remain unfathomable. A meal, the discovery of a rifle, chance encounters: the mystery remains unsolved.

A young woman discovers that the pesticide being sprayed on vineyards is turning people into murderous lunatics.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

Dah and Jocelyn come from Benin, Africa, to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

À la vie, à la mort ! (1995) In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.

Marc Lagnier confesses to the murder of his adored son, but refuses to explain.

August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.

The documentary series tells of the journey made by Saïd M’Roumbaba (aka Soprano), son of Comorian immigrants born in Marseille’s Northern neighborhoods and now one of France’s most popular artists. It reveals a key element of this success: a friendship “for life” with the three other craftsmen of this saga: Mateo, Mej and Djamali.

A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

As the first test drives begin for the 24 Hours of Le Mans, the body of a pilot is discovered on the track. It was carefully dragged there. Captain Sabrina Nedjard is in charge of the investigation, followed by an American observer from LAPD as part of an international exchange. Their inquiries will lead them to the paddocks and the workshops of a well-known amateur racing team where high stakes disrupt the relationships between an authoritarian father and his children.