La Mort

This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France is sent back to the place where she was raised – Senegal. She returns to the lost village of her ancestors hysterical, argumentative and unproductively rebellious. Now the mother of a toddler, she continues to come to terms with the two cultures; the outcome is unforeseeable, as is the outcome of this cinematic long-term observation. The risk of its failure due to its protagonist is palpable. But Koumba’s fascinating metamorphosis is also obvious, her body and character have taken on a more harmonious nature. All hope is not lost.

Balthazar's play just premiered on stage as he starts to fall in love with the lead actress who just arrived in town.

Gab was thrown out of the flat by her mother. In the hustle and bustle of Paris she now searches for an apartment.

On a fateful night, Fred, a yenish father of four, is gunned down. The next morning, his wife founds his t-shirt covered in blood and gets scared. But Fred doesn't have any wounds.

In a world where the economy is no longer at the service of man but the man at the service of the economy, productivity objectives and management methods push employees to the limit. Never diseases, accidents at work have reached such a level.

Mozart feels compelled to finish a final requiem as he fears death is quickly approaching. Although the doctor has specifically ordered Mozart not to play or compose, Mozart begins a composition after listening to his student play the violin and having visions of three of his operas. After Mozart has finished his requiem a group of friends comes to visit him, and as they sing his last composition to him, Mozart dies.

Jack is having a party with some friends. Disused, he decides to take a psychedelic drug. With a lighter mind, he enjoys the moment, his belly rejecting his visceral anguish as the evening progress. Arrives the time when he confronts a too big anxiety of which he cannot get rid of.

Directed by Albert Capellani.

Through a particular shooting technique, the initial panorama is fragmented into many overlapping visions until it reaches the abstraction of pure light.

A kind woman and housewife gets tired of her irritating husband's conceited actions.

Nicolas Le Riche and Marie-Agnès Gillot star in the legendary Roland Petit and Jean Cocteau's pioneering one-act ballet Le Jeune homme et la Mort. This 2005 production at the Opéra de Paris stays true to Petit’s original scenic and choreographic conception, from the dark, dingy apartment of the Young Man to the disturbing yellow dress and jet-black coiffe of the villainess. A mesmerizing drama in dance as virtuosic as it is unsettling!

Venturi was once the king of the Pigalle underworld. Today, he lives in retirement with his wife, in an estate near Chantilly. He still receives the takings from a few hôtels de passe and cabarets, enabling him to subsist without financial worries. But a gang of young hoodlums follows in his footsteps, committing robberies and picking fights in the establishments controlled by Venturi. His faithful companion Cristiani is murdered, as is his wife Germaine. Venturi is determined to take revenge.

During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.

A man breaks into a woman's home to murder her.