La Mirada De Robin

José Bretón killed his children, six-year-old Ruth and two-year-old José, on a small family farm on the outskirts of Córdoba, Spain. He built a bonfire fueled by liters of diesel and burned their little bodies with the idea of making them disappear forever. It was Saturday, October 8, 2011.

Begoña is a thirty something consultant who has rebelled against her upper middle class background and has overdone it with sex ever since her youth. On recommendation of her psychoanalyst she keeps a video diary of her encounters using a palm-sized video gadget called "The Owl". On Christmas Eve, reluctantly, Begoña goes to have dinner with her dysfunctional family: her stern mother, her married brother and her younger sister. Soon, Begoña, the family’s black sheep, clash with her relatives. She leaves abruptly in disharmony, only her sister seems sympathetic towards her. The same night in a bar, Begoña is befriended by Daniel a solitary handsome man in his late teens. The attractive and self assure Begoña draws his attention, but when her on and off ex boyfriend Elio, and adventurous biker, shows up at the bar, an argument ensures between Elio and Daniel.

Paco and Manolo are two Catalan photographers from the outskirts of Barcelona who have been working together for thirty years as if they were a single person, capturing their images in Kink magazine, a very personal photography fanzine with a homoerotic aesthetic of Mediterranean essence.

Film de ficción sobre los directores de cine Leopoldo Torres Ríos, y Leopoldo Torre Nilsson. Fiction film about the film directors Leopoldo Torres Ríos, and Leopoldo Torre Nilsson, grandfather and father of Pablo Torre.

Tribute to the story of Gabriela Marin, and to all women who have been victims of abuse, rape and femicide.

Myriam tells her story. Like her mother¸ she decided to occupy a vacant lot to build a house to live in with her children. She constants aims to express affection towards her children, and avoid repeating her bitter childhood due to the harsh treatment she received from her mother and those around her. She wants to harness all her energy — which as a child she perceived in her gaze as having an enormous destructive capacity — to become a leader of her community.

The foundation in Madrid of the Institute of Investigations and Cinematographic Experiences (IIEC) in 1947, has been the most important event in the history of Spanish cinema. From there would come directors such as Luis García Berlanga, Juan Antonio Bardem, Carlos Saura, Miguel Picazo, José Luis Borau, Mario Camus, Antonio Mercero and Víctor Erice. Through their first film practices, we will learn about the history of the school and an entire country.

A young couple needs some place to have intimacy, so they use Arturo's grandmother place when she is not there, but Carlos has a problem: he can't do 'it' in front of the pictures of dead relatives. His boyfriend makes fun of him, but some months later he is the one who feels the picture's gaze.

1984. Lidia, an intrepid 12 year-old girl, lives in an isolated mining village affected by an unknown illness that has already killed several men and, according to rumours, is transmitted when a man falls in love with another by looking into each other's eyes. Her beloved brother Alexo, an obese homosexual, is found guilty of carrying the disease and the townspeople decide to tie him up and keep watch over him. This pushes Lidia to confront the ignorance of a myth and put the relationship with her family to the test.

Moira Millán is a Mapuche woman who lives in Argentina and had to migrate from Patagonia to Buenos Aires with her daughters. After a while, she decides to return to the recovered Mapuche territory where the remains of her mother are buried, a land she knows she has to preserve, but her daughters don't want to live in the countryside. With questions about how to maintain the original identity in today's Argentina, Moira Millán embarks on a journey in which she visits women from other indigenous villages with whom she shares the way each one has to preserve ancestral culture through education, health, and music.

The greatest explorer of the Americas, German scientist Alexander von Humboldt, narrates his voyage to New Spain in 1803 as he prepares his magnum opus Cosmos for publication from his library in Berlin. During his journey, he discovers Mexico’s extraordinary biodiversity; its mineral, volcanic, architectural, and pre-Hispanic richness; and its profound inequalities.

A priest hears in an act of confession protected by ecclesiastical secrecy the author of the crime of a powerful rancher that the townspeople attribute to his young girlfriend.