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A professor of philosophy, an atheist, converts to Catholicism following a miracle: his daughter, whose leg must be amputated, is taken to Lourdes by her very religious fiancé, and is cured there.
Reconstruction of Bernadette Soubirous's life (1844-1879), a 14-year-old girl that catholics believe had eighteen visions of Mary, the Mother of Jesus, in a grotto near Lourdes, France. The place became a peregrination centre since then.
Documentary about sound design, a film proposed in addition to "Petits contes sous la neige".
Andrei, Ramil, Wendel and their friends are sailors on the African Forest, a cargo ship ferrying precious goods between Africa and Europe. Cosmopolitan, resourceful young men from the Ukraine, the Philippines, from Ghana or Trinidad, enticed by the slogan “See the world for free” and the promise of a job! For ten months, the film follows these new globalised sailors across the oceans while they gain experience and cope with the isolation. They communicate in “Globish”, a sort of scattered, heavily accented English and look towards Andrei, the “chief mate” from the Ukraine, a central figure on board.
A former war photographer tries to ward off his personal ghosts by taking pictures of trees only. He lives alone among olive trees in southern Italy. One day he decides to cross the sea. Once in Albania, he goes near the location where he had made his last war picture, as if he was retracing his steps. He finds a tree he wants to photograph. He is just about to do so, when he discovers a runaway girl hiding in it with the sole objective of crossing the sea and getting to the other side. The man has no choice. He has to flee with her, follow her and guide her along until a storm separates them.
A Super 8 film that aims to convey the illusion of being an amateur film found on the pavement, as if it had been left there because of its illegal content.
At night on a fishing trawler. An injured sailor, an intolerable order, and the death of the captain. Day breaks, and with it, the crew's doubts multiply.
At the fishing port of Lorient in Brittany, nearly 800 women work, filleters by day, fish sorters by night. Some testify to the conditions in which they exercise their profession, conditions almost unchanged for fifty years: in the cold, humidity and ice, standing, carrying heavy loads, and always without status.
A teacher from the capital city of Cameroon is sent to a remote forest to give remedial lessons to Pygmy children. Understanding that traditions are passed down through songs, he decides to use music to lure the children back to school.
Porto Maurizio, where the director, who lives in France today, grew up, is located on the Ligurian coast. The village is the starting point for a cinematic journey into the past that spans a surprisingly wide arc to a time when Muslim pirates, the corsairs, haunted the Mediterranean and took Europeans as slaves. To this end, the film light-handedly draws from the rich fund of film history and its iconography.
"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center