La Memoria Del Cine Una Película Sobre Fernando Méndez Leite

A contemplative documentary that captures the present and past of vulnerable senior citizens striving to survive in Mexico City, one of the world's largest and most populated metropolises. Among them is "Clavitos," an 84-year-old homeless clown, who dreams of leaving the streets and saving enough to buy a new clown suit to continue his beloved profession.

Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.

After the tragic loss of their 4-year-old son, Javier and Amanda struggle to make sense of their lives together.

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

Young aviatrix Lyda spurns the advances of the Prince of Sèvre and falls in love with journalist Mario, who, although engaged to Cesarina, goes to Lyda's home. Cesarina sees them and manages to persuade Mario to leave Lyda.

Hamule portrays the trauma "genetically" transmitted to generations of descendants of Palestine. The documentary is a personal and intimate journey through the fragmented memory of the exiles in Chile and their families

Somehow we are all birders and birds at the same time. We capture moments, but don't we live caged in our memories?

In this static film, a concentration camp survivor struggles on his deathbed to convey a sense of what he experienced to his daughter. Standard file footage of holocaust atrocities accompanies his monologues. His wife and daughter also have thoughts on the subject, which they convey in a similar manner.

Three characters in search of their existence and their place in the world. A film that looks at art, literature and cinema.

Armando and Gualtiero are two elderly homosexuals who have been living together for fifteen years now. One day, though, the unthinkable happens: Armando, suffering from Alzheimer's, no longer recognizes his partner and, as if that weren't enough, he believes he is married to Paloma, their South American caregiver. Gualtiero's attempts to win back Armando turn out to be holes in the water, but where the man fails, the goldfish arrives, Elton John, who keeps a secret in his aquarium.

José Pérez Ocaña was one of the symbols of the counter-culture in 1970s' Spain. He was of Andalusian origin but adopted Barcelona as his hometown and Las Ramblas as his stage, where he promenaded in drag. He died in 1983, at only 36 . A painter, famous for his Andalusian virgins (et alia), he was a radical and multifaceted artist during the last years of Franco's dictatorship and during the period of transition towards democracy. An inveterate provocateur, he used transvestitism, surreal performances and extreme fetish acts as forms of artistic resistance, and he was a GLBT activist in the struggle for civil rights. This film features the memories of his family members and friends (Nazario, Jesús Garay and Gérard Courant) and rare historical footage from that period, some never previously released.

Short documentary about Carlos Ortúzar's El Cuarto Mundo, sculpture created to be placed in the front of the tower of one of the most important buildings made during the Unidad Popular goverment, the Unctad III building. Commissioned by Salvador Allende to host the Third World Conference of the United Nations, the building was inaugurated on April 3rd, 1972. El Cuarto Mundo was an unprecedented sculptural proposal for its time; its circles moved with the wind and were reflected in a mirror of water, integrating into its surroundings and context. On September 11, 1973, the coup d'état took place in Chile. Days later, the sculpture, along with other works located there, was dismantled and disappeared, with no traces of its parade known to this day.

Rafael Corral, a 90-year-old man, has spent much of his life in a film archive. As the building is transformed by construction work, Rafael searches for an object that connects him to his past as a ballet dancer for Spanish singer Miguel de Molina. The film explores memory through a building, a man and cinema, walking the corridors of an archive and observing the fragility of the material and the hands that preserve it.