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t narrates the repression suffered by the local population of Fuentes de Andalucía after the military coup of 1936.
After suffering the Holocaust, Sara Rus emigrated to Argentina where she was an activist in Madres de Plaza de Mayo Línea Fundadora for the disappearance of her son Daniel during the military dictatorship. Her mission is to keep the memory alive. Her granddaughter wonders what to do with her grandmother's memories and experiences, what is the exact distance from the past, what to do with that legacy.
Short documentary about Carlos Ortúzar's El Cuarto Mundo, sculpture created to be placed in the front of the tower of one of the most important buildings made during the Unidad Popular goverment, the Unctad III building. Commissioned by Salvador Allende to host the Third World Conference of the United Nations, the building was inaugurated on April 3rd, 1972. El Cuarto Mundo was an unprecedented sculptural proposal for its time; its circles moved with the wind and were reflected in a mirror of water, integrating into its surroundings and context. On September 11, 1973, the coup d'état took place in Chile. Days later, the sculpture, along with other works located there, was dismantled and disappeared, with no traces of its parade known to this day.
The documentary tells the story of the Memory Forest, located in the Faculty of Social Sciences of the National University of San Juan. The short film shows some of its protagonists; Margarita Camus, Diego Fiol, Alicia Ruso, Cristina De Santis and Carlos Rodríguez, who met again in the place where the idea of creating this space for the memory of the detained-disappeared people in the last civil-military dictatorship was born. The piece was filmed entirely at the Faculty of Social Sciences and is the only high-resolution record of the history of the Forest and the testimony of its protagonists.
Rafael Corral, a 90-year-old man, has spent much of his life in a film archive. As the building is transformed by construction work, Rafael searches for an object that connects him to his past as a ballet dancer for Spanish singer Miguel de Molina. The film explores memory through a building, a man and cinema, walking the corridors of an archive and observing the fragility of the material and the hands that preserve it.
A short documentary that shows the subtle poetics of the storytellers' souls, and the reconstruction of the roof of their house where many individual and shared memories dwell. It is a metaphorical piece and literally dialogues about the spiritual introspection of the being while observing love through texts and performative images.
This documentary is the result of a participant investigation that aims to get close to the maritime and fishing immaterial heritage on the region of Cádiz from the women's perspective. Through an intense field work carried out by anthropologists and documentarians, the main identitarian expressions related to sea culture were registered. With all the gathered information, workshops were done with the area's women, searching for self-identification and audiovisual record of these participants. This piece is, then, the result of the will to give voice to a traditionally silenced, but historically present, collective from coastal cultures.
Mon Marquès, a professor, already retired, of pedagogy at the University of Girona continues working, after more than thirty years, in an investigation into the exile of the Spanish Republican teachers. Mon travels from the education system of the second Spanish Republic 1936-39 to today, emphasizing the differences between the Republican educational system and the Franco dictator's system, as well as the repression suffered by these and forced exile to France and Mexico. This document brings lights to the darkness that has always existed on the subject of Republican exile, since as Mon says: of the remaining people we had data, but from those who marched there was no documentation, so they did not exist.
Documentary in which ten republican women remember their time in Franco's prisons. “Some put wedges in her nails; my sister-in-law has currents on her fingers and nipples; some have been raped”; “Since they hit first and then ask questions, they hit me.” “Baby, they have given us the death penalty. I told him: but, Virtudes, they will commute you!". These are some of the testimonies of ten Republican women in Franco's prisons that Tomasa Cuevas, a former member of the Communist Party, collected on an old recorder hidden in her bag so that they would not be lost in oblivion.
On the 15th of January, 1999, in front of the coast of Magdalena, at the Río de la Plata, a containership crashed onto a Shell ship. 5.400.000 liters of crude spilled over the estuary waters. Two days later, the southeast wind and the rising tide caused the hydrocarbon to pour into the streams and wetlands, which produced a severe damage to the ecosystem. This film explores the judicial and political plot through documents and testimonies, but it also boosts the collective memory with activities that involve younger generations through a sensitive approach to the land, art activism and environmental education.
Alex, an assassin-for-hire, finds that he's become a target after he refuses to complete a job for a dangerous criminal organization. With the crime syndicate and FBI in hot pursuit, Alex has the skills to stay ahead, except for one thing: he is struggling with severe memory loss, affecting his every move. Alex must question his every action and whom he can ultimately trust.
A contract killer, after being diagnosed with a fast-moving form of dementia, is presented with the opportunity to redeem himself by saving the life of his estranged adult son. But to do so, he must race against the police closing in on him as well as the ticking clock of his own rapidly deteriorating mind.
Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers.
Set in a world with memory implants, Alan Hakman is a 'cutter'—someone with the power of final edit over people's recorded histories—but his latest assignment puts him in great danger.
Alex Cross, a genius homicide detective/psychologist is trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he is told that a friend has been murdered and he vows to track down the killer. Soon, he and his team are forced to match wits with a psychotic contract killer, who displays a disturbing commitment towards seeing his job through.
Seattle medical examiner David Krane is obsessed with solving his wife's murder. A possible solution presents itself in an experimental "memory" serum designed by a neurobiology professor, which has the ability to transfer memories from one person to another, but with potentially fatal consequences.
Jane Doe must solve the kidnapping of a famous mentalist who possesses the names of secret foreign agents.
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.