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In an effort to "keep up with the Joneses", a couple stretches their finances to purchase a home in an upper-class neighborhood. Due to a murder/suicide by the previous owners, the house is deeply discounted. After they move in, they form a quick friendship with a neighbor. But strange things begin to happen, and they soon suspect the neighbor may have played a part in the murders.
The Day Reagan Was Shot is a 2001 film made for television directed by Cyrus Nowrasteh. The film stars Richard Dreyfuss as Alexander Haig and Richard Crenna as Ronald Reagan.
When Anne Shirley turns 13, she faces complex issues with her friends, inspirational adults and Marilla and Matthew. At the same time, she begins a friendship with Gilbert Blythe that emotionally escalates to disrupt the status quo of her peaceful world. Her free-spirited nature is challenged by her perceived need to become sensible, and her journey toward this goal is fraught with confusion and more than a few unfortunate – albeit, amusing - mishaps.
Lalo's House, a Student Academy Award and DGA Student Award winning film, is inspired by true events. After being taken from home in Jacmel, Haiti, two sisters must escape a child sex trafficking ring, disguised as a Catholic orphanage.
Put on your sneakers and get ready for the greatest sporting event ever! Join referee Goofy and all your Clubhouse Pals from earth and outer space as they compete in wonderfully wacky games. Share the excitement -- and a sky-high view of the action -- as sportscasters Pete and Donald Duck broadcast live from above in the Sport-y-Thon Blimp! Who will earn a prized Golden Mickey Medal? Help our heroes discover that with teamwork and good sportsmanship, everybody wins! Jam-packed with over two hours of song-filled fun, MICKEY'S SPORT-Y-THON will have you calling for an instant replay!
Join Mickey, Toodles and the gang for this magical full-length adventure you'll enjoy year-round! Ride the amazing Clubhouse Train to the top of the mountain, and help load the train cars full of incredible, never-melting, "Easy-Freezy" snow! Share in the excitement when you arrive back at the Clubhouse to ski and make snow angels...in summer! Hop back on board and race to each station to pick up guests in time for the coolest snow party ever! It's always the season of fun when you ride on Mickey's CHOO-CHOO EXPRESS!
A foster boy is befriended by a lost dog who turns out to belong to the President of the United States. The boy decides to run away from the foster home to return the canine to the White House -- "Because it's the right thing to do!"
Soviet film based on Dostoevsky's autobiographical novel of his prison experiences in Tsarist days.
Story follows the life of Polly Adler, who grew to become one of New York's most successful bordello madams of the 1920s.
Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.
Victor Reynolds arrives at the notorious House of Usher, whereupon he is greeted by old acquaintances Roderick and Madeline Usher and their servant, Markus. As Victor uncovers more about the history of the house and the disappearances of those that entered it previously, he begins to realize that he is in mortal danger.
A young man, barely entering the world of adults, feels lost in the modern prison of cities, houses and buildings and their system of complex bureaucracy and false meritocracy. Aspiring to a simpler life far from the masses and their madness, he will try to leave everything...
1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.
Police in Paris recruit an English ship's officer (Michael Craig) to help trap counterfeiters by joining them.
From their 'Purple House' in the South of Lebanon, French-Iraqi director Abbas Fahdel and his Lebanese wife, the painter Nour Ballouk, start exploring a multifaceted country that seems to be on the edge of the abyss.
Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed, and lives in fear of her husband finding out, and of the shame such a revelation would bring to his career. But, when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem.
Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”