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The Lightning League drives white and silver vehicles with assorted weaponry, and are led by a teenager named Jayce. The villains are organic green vegetable-based creatures called the Monster Minds, who tend to take the shape of black and green vehicles. They travel via large green organic vines which can grow in and across interstellar space, and sprout seeds that rapidly grow into further Monster Minds. They are led by Saw Boss.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Tensions mount as the lonely wife of a trucker becomes involved with a gas station attendant.
The Normandy landings of 6 June 1944 were pivotal to the outcome of WW2. We learn when Churchill and Roosevelt first proposed the operation and how preparations started—finishing with the key events of D-Day and the far-reaching effects of its outcome.
French alpinist Charles Dubouloz’s attempt at a rarely repeated route on the fabled north face of the Grandes Jorasses, spending five frigid nights alone above the lights of Chamonix in the dead of winter.
Montage of different sequences reconstructing the three-color additive synthesis process patented by Audibert, French inventor who began researching natural colors in cinema from 1909. The process used in this film dates from 1923 and consists of capturing three photograms at the same time, through three lenses containing color filters.
Michel Jouvet, known worldwide since 1959 for his discovery of paradoxical sleep, dives in the twilight of his life in his notebooks of dreams, drawings and research. An abundant material which gradually animates an intimate portrait of this neurobiologist, oneirologist convinced that the dreams are the guardians of the singularity of our identity.
June 1940. The Wechrmacht appropriates the houses in which are living Pierre, his wife Magdeleine, their son Charles, their two servants Louise and Lea, and Mademoiselle, the beautiful jewish governess.
Two sketches on the decomposition of the light spectrum, the relationship between light and the screen and its projection frame.
“The sound is the ape of the light”, wrote Jesuit Father Athanasius Kircher. Can the laws of optics be transposed to the world of sound? Can one see the sound? Through relationships between image and sound, voice and music, noise and performance, the film “The Ape of Light” shows a series of actions freely inspired from lesson-books and treatises on acoustics.
Pablo and Marius found out a surprising thing regarding their childhood friend, Alice. She manages to synthesize in a sound way the light that she is exposed to. This gift is gradually transformed into a curse when it becomes the instrument of their musical experiences.
