La Guerra è Finita Streaming Avec Sous Titres En Français

As part of the Centenary of the Great War celebrations, this film focuses on a crucial moment of the conflict: the intervention of the United States in Europe.

The history of the 'Misericordia' association of Florence, Italy during the 1910's to the end of World War II

From the beyond, the director's grandfather tells his grandson about how, in 1939, he forged his documents to leave Chile and enlist in World War II in France. This experience echoes the Chilean "social explosion" of 2019, the scene of unprecedented violence and hundreds of human rights violations by the forces of law and order.

Through a trip to the site Vaca Muerta, in Neuquen, the specialist Felix Herrero and research Maristella Svampa, revealing testimonies of villagers and technicians on the effects and results of the new process oil and unconventional gas are collected.

Fake news and racial integration: is there a connection? 5 stories, a rifle, the patron' festival and a small community with its everyday life are going to be upset by an outsider, an unscrupulous journalist coming from the big city.

Hijos de la Guerra ("Children of the War") is a feature-length documentary film about the world's largest and most violent street gang: the Mara Salvatrucha, also known as MS-13. The Federal Bureau of Investigation has declared the MS-13 the fastest growing and most violent street gang in the United States. Through a series of over 80 interviews (including gang members across several countries, the gang's founders, experts and academics) and powerful footage inside jails in El Salvador, gang-infested neighborhoods of Los Angeles, and Salvadoran communities across the East Coast of the United States, the film sheds light on the root personal reasons for gang membership, the ensuing explosion of fratricidal violence as well as the complex role of social and government policy in both containing and aggravating gang proliferation.

Baraq and his platoon live in the trenches in a permanent state of anticipation. Through careful and silent observation among members of the Syrian army, the film shows the slowness at times of life at the front in a seemingly unending conflict.

Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.

Humanity must resume its war against the Martians when they revive after decades of hibernation following their defeat in the 1950s. The fate of Earth may very well rest in the hands of a small yet courageous band: astrophysicist Harrison Blackwood, paraplegic computer wizard Norton Drake, microbiologist Suzanne McCullough and military man Paul Ironhorse.

For over 70 years Colombia has been subject to an internal armed conflict whose demarcation lines seem to have become blurred over time. An insidious creeping violence has gradually pervaded the whole of society. Impossible as it is to tell this story in one unified narrative, the history behind this violence seems to take form through a multitude of traces.

Leo Bianchetti has just finished his military service but then is again called to arms; after 10 years on various fronts, he finds himself again in Italy to guard a bridge destroyes by the Germans that he doesn't want to leave.

A conversation between a father (the poet) and his son (the illustrator) about imagination as the creator and, at the same time, transgressor of reality.

In 1948, a fan letter arrived for director Roberto Rossellini from Ingrid Bergman, one of Hollywood’s biggest stars; after a meeting in New York, Rossellini invited Bergman to Italy to work on a project. Meanwhile, Anna Magnani, one of Italy’s biggest stars and Rossellini’s longtime lover, was furious. When the Rossellini/Bergman project was announced as a tale set on Stromboli, one of the volcanic Aeolian Islands, Magnani quickly set up her own Aeolian project, financed by Hollywood, to be called Volcano. Italy’s tabloids simply went wild: the prospect of these two great divas battling it out with rival productions was breathlessly followed, especially as it became clear that the Rossellini/Bergman relationship was more than professional. Francesco Patierno has created an engrossing, revealing and highly entertaining chronicle of this cinematic battle royal.