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As WWII comes to a close, a wounded Soviet soldier and a Kazak woman seek refuge in a church. In this holy place, they take time to rest and appreciate the beauty of their surroundings, as the interior of the building is lined with ornate works of art. A group of Nazi soldiers eventually disrupts this moment of peace, as they enter the church and defile the sacred works within. Undetected, the original occupants witness this atrocity and the proud Russian feels compelled to fight in an effort to preserve his country’s history.
Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.
With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.
As the perpetually lecherous Ataru and his friends prepare for a carnival at Tomobiki High School, they gradually realize the days are literally repeating themselves. Any effort to break the pattern dumps them back where they started.
Arn has served his term in the Holy land and returns home to be reunited with his beloved Cecilia. When he returns home, he discovers that political forces tries to separate him and Cecilia - but thanks to queen Blanka they can finally get married. Arn knows that war is looming and with his martial knowledge he starts to build an army at his new home at Forsvik.
The decade that began with peace and love was shattered in the late 1960s amidst riots, assassinations and a war that wouldn't end. The Rolling Stones became the voice of this new era, which came to a horrific end at the Altamont festival.
The plot concerns a comet hurling toward Earth on a collision course and the different reactions to people on the impending disaster.
Rise and Fall: The Turning Points of World War II is a 50 minute documentary-history-war in six episodes.
Three former marines have a hard time readjusting to civilian life. Perry can't deal with the loss of the use of his legs. William is in trouble with bad debts. And Cliff can't decide what he wants to do with his life, although he gets encouragement from war widow Pat Ruscomb.
Anna is annoyed. For 18 years she's made every effort to make her family a comfortable home, and what's the result? Instead of relishing her roast lamb, her husband Frank works late. Their teenage kids Thomas and Petra stay out all night, and on top of that her father, Horst, reveals that as of tonight, he's off on a pilgrimage to Santiago de Compostela. And when she wants to take the roast lamb to her hard-working husband, she sees him busy taking his secretary's clothes off. That's it. Anna is off. In high heels and smeared mascara, she climbs onto the train to the last station before the Pyrenees, joining her father on his quest for... for what?
A young boy loses his innocence in a pre-perestroika Russian prison during the chaotic last months of the Khrushchev regime
Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.
Lilah Krytsick is a mother and housewife who's always believed she could be a stand-up comedian. Steven Gold is an experienced stand-up seemingly on the cusp of success. When the two meet, they form an unlikely friendship, and Steven tries to help the untried Lilah develop her stage act. Despite the objections of her family and some very wobbly beginnings, Lilah improves, and soon she finds herself competing with Steven for a coveted television spot.
Claire Blanchet directs this visually stunning stereoscopic animation, adapted from Heather O’Neills eponymous slice of Montreal noir.
Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
Kaitou Kid dares to challenge the police once more, setting his sights on the Russian Imperial Easter Egg. With the date, time, and place, the Osaka police force scrambles to stop him. But this time, Kid may have bitten off more than he can chew—Conan Edogawa, Heiji Hattori, and numerous others are also trying to get their hands on the jeweled egg.
An apocalyptical storm threatens to wipe out an entire country. A state of emergency is raised while mayhem breaks out.
Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.