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An atmospheric portrait of four women who leave the factory where they work to go to the beach.
With its carnival face, its devilish eye and its giant wingspan, the bearded vulture had everything to become a legend. This bone-breaking vulture, exterminated in the Alps at the beginning of the twentieth century, flies over our mountains again. But his return is no coincidence. Two biologists, one French, the other Swiss, tell us about the mores and the fabulous history of this extraordinary raptor. The Bearded Vulture federates the largest program for the protection and conservation of a bird in Europe. But in the fragile balance of nature nothing is ever gained. What threats still hang over this vulture? A human challenge at the heart of the animal world which shows that, when he wants, man is capable of changing things.
How does a politician – assassinated more than 50 years ago – gradually become a public figure? An extremely vibrant image which shows up where you least expect it. It served as figurehead for the Arab Spring revolutions, from Rabat to Sanaa, whereas we had thought it had been relegated to t-shirts and cigarette lighters. Why has this image become so universal that we are no longer surprised to find it in drawings, graffiti, tattoos and prints on all types of media in all sorts of contexts the world over? How can this image be used to advertise luxury automobiles and also be brandished angrily by indignant agitators? What is the formula that made this figure go viral? This documentary is a journey to investigate and decode a piece of iconography.
The documentary film about La Fabrika theatre presents a generous multifunctional cultural space that has gained a great reputation on the Czech cultural scene in the 15 years of its existence. It is home to several dance companies, not only classical but also alternative theatre and cabaret, concerts and festivals. The success of La Fabrika is evidenced by the number of artists who are among the top in their field and who regularly return to La Fabrika, thus shaping its genius loci.
In a strange place rather like a sort of infernal machine, a naive but inquisitive being discovers an enchanting yet cruel world, ruled by a mighty mother.
Night Falls On Hoboken, Madeline, Evanescent Psychic Pez Drop, Tom Courtenay, Tears Are in Your Eyes, The Summer Walking Away From You, The Crying of Lot G, Saturday, You Can Have It All (George McCrae cover), Deeper Into Movies, False Alarm, I Heard You Looking, Our Way to Fall, Encore: Upside-Down, Fog Over Frisco, Encore 2: Group Grope (The Fugs cover) Encore 3: Sloop John B ([traditional] cover), What Can I Say (NRBQ cover)
It tells of the band's record return with "La luz del ritmo", reflecting in a very intimate way the process of creation and recording. Linking the documentary images, it includes interviews conducted by Marcelo Fernández Bitar, where the protagonists present the album song by song.
The history of the eau of Cologne goes back to almost four centuries, a history formed by extraordinary myths, family feuds and treacherous acts of commercial plagiarism. Its gradual use is a reflection of the evolution of society and its morality, in relation to body and hygiene, a gesture of intimacy. First perfume of kings, then the most popular fragrance, within reach of all the pockets.
