La Dame Au Chien

She’s the most beautiful, most short-sighted, most sentimental, most perplexing, most obstinate, most untrustworthy and most troubling of heroines. The lady in the car has never seen the sea. On the run from the police, she keeps telling herself that she’s not crazy… Only...

Dany Longo is red-haired, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.

Young and handsome Armand Duval falls in love with Marguerite Gautier, a 'demi-mondaine'. He manages to persuade her to give up her life as a courtesan and they both settle down in the country. Tthe beginning of their idyll is like a dream but a short-lived one as their relationship is considered scandalous by Armand's family. During a secret visit to Marguerite, Armand's father convinces her to leave his son, which she does broken-heartedly but out of love for Armand. Her end will be doubly tragic; not only does she suffer from terminal tuberculosis but she is abandoned by everyone, including by Armand, who believes she has betrayed her. At long last, learning the truth, Armand rushes to her bedside and Marguerite has the joy to breathe her last in his arms.

Alexandre Dumas' romantic novel Lady of the Camelias (more popularly known as Camille) was filmed twice in 1953, first in Argentina, then in France. The Argentine film was heavily modernized, while the French version returns to Dumas' 19th-century milieu. Micheline Presle is excellent as Marguerite, the gorgeous courtesan who flits from man to man until she finds true love in the form of the much-younger Armand (Rolande Alexandre). Though he is willing to marry her despite her past, she is persuaded to forsake him, lest his reputation be ruined. The story then wends its way towards its famous tragic finale, as the consumptive Marguerite is permitted a few brief moments of happiness before her flame is permanently extinguished. Advertised as the seventh version of the Dumas classic, La Dame aux Camelias was certainly not the last.

The film was produced and directed by Gratien Gélinas, who also plays the lead role of Fridolin, and who also wrote the screenplay. It is of course a parody of the novel by Alexandre Dumas fils, La dame aux camélias . As the press noted in 1942: “…the work is a real revenge of Quebec popular culture on French classical culture” or even “ Fridolin sticks his tongue out at France!”. The film is like a bomb. We must not forget that at the time of the premiere, Gratien Gélinas was one of the most influential authors in the province. His plays were performed in French in Quebec, and in English across Canada.

Ballet in a prologue and three acts based on the novel by Alexandre Dumas fils; music by Chopin. The passionate tale of Marguerite Gautier and Armand Duval unfolds ingeniously through a drama-within-a-drama as they meet at the theatre during a performance of Manon Lescaut. So begin their romantic adventures in Paris, brought to life by Neumeier’s intense and refined choreographic language. Chopin’s ravishing music highlights this exceptional neo-classical ballet, featuring the star dancers of the Paris Opéra Ballet. This lavish production, filmed live at the Palais Garnier in High Definition and full surround sound, is all about love, passion, danger and glorious dancing from one of the best ballet companies in the world. John Neumeier has created a ballet in which emotions go crescendo … Agnes Letestu, the great dramatic heroine, triumphs in this ballet danced to music by Chopin.

Bressan's first truly fictional foray, created after he defended a thesis in literature on Alexandre Dumas. (CJC)

The beautiful Parisian courtesan Marguerite Gauthier (Cristiana Réali), who is called a "Lady of The Camellia" because of the preference for these flowers, has many devotees among Parisian aristocrats. He really loves one - young Armand Duval (Michaël Cohen). Under the influence of the beloved father's pleas, and despite himself, he declares to Armand that he no longer loves him. She is suffering from tuberculosis, but if possible, she is in company, and renews contacts with rich devotees. Armand tries to forget about her. One evening, at a party, their paths cross again.

Marguerite is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Marguerite discovers that Armand has not lost his love for her.

A teenager brings back a dog to its owner, an obese black woman. He soon finds himself having to dirnk with her.

Aristocrat Armand Duval meets the courtesan Marguerite Gauthier, after which he never stops thinking about her. The young man’s family is adamantly opposed to his relationship with a girl of easy virtue. For the sake of Armand’s future, Marguerite, who is dying from consumption, sets him free.

Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.

Between 1998 and 2005, a wave of murders targeting elderly women hit Mexico City, triggering the hunt for — and capture — of a most unlikely suspect.

Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader...

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.

On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?

A young girl from the provinces, comes to Paris with one goal: to become a part of the rich bourgeoisie. To achieve this she will use her unique beauty and charm.

In the depths of loneliness and despair, beautiful Aida visits her "tailor," Victoria, a woman who runs a sensual house where erotic fantasies are fulfilled. After satisfying her desires in the arms of one of Victoria's young men, Aida has a haunting nightmare where she envisions herself as a witch who, during a full moon, has the power to destroy her lovers' sensitivity.