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In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.
This complex and puzzling French drama walks the fine wavering line between the fictional and the very real as it tells the tale of a strangely erotic event in the life of a little girl and the musings of a schizophrenic woman. Also involved is an enigmatic spouse who prepares a surprise for a burglar.
A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.
Explores the life of actress Ava Gardner and her decision to leave America for Spain.
A Russian countess stows away in the stateroom of a married U.S. diplomat bound for New York.
Has-been director Harry Dawes gets a new lease on his career when the independently wealthy tycoon Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film.
Hungary, XVII century. After being widowed, the old countess Elizabeth Nádasdy, of the Báthory lineage, fortunately discovers a way to become young again; but the price to be paid by those around her will be high and bloody.
In 1930s Shanghai, 'The White Countess' is both Sofia—a fallen member of the Russian aristocracy—and a nightclub created by a blind American diplomat, who asks Sofia to be the centerpiece of the world he wants to create.
Gina Nardino, a young saleswoman at the food counter of a posh department store, falls hard for a society stud, and, through a series of accidents, impresses him by taking on the false identity of an Italian contessa. But the masquerade begins to get out of hand when the stud's brother sees through her disguise...and likes what he sees.
Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.
A mute noblewoman's vampiric heritage compels her to drain the life force from all of her lovers.