La Boîte à Cigares Streaming Avec Sous Titres En Français

La Boîte à secrets: confidences, emotion and entertainment. Faustine Bollaert takes over the helm of this new show on France 3. She will receive 3 guests who will relive their greatest personal and professional secrets.

An accident survivor wakes from a coma and confronts old, uncomfortable memories.

An old man ends up taming the mouse he wanted to get rid of.

Show recorded at the Palais Omnisports de Paris-Bercy on January 27 and 28, 2013 for the benefit of the Restos du Coeur.

Five childhood friends, who live in a small provincial town, were excluded from the only nightclub in the region. With nothing else to do they plan to open a competing nightclub in the garage of two of the father of two of them.

There’s nothing unusual about receiving a package in the post. ‘Yes, but...what if...?’ are the wretched type of thoughts that cause Chloé to conjure up farfetched scenarios...If anxiety were an art, then Chloé has certainly mastered it.

Oscar-winning animator Co Hoedeman and his newest creature come together in this enchanting and colourful fable about the joys and pains of growing up. No sooner has the paint dried, than the puppet begins to take its first few steps and, urged on by the artist, begins to discover a wider world. He experiences the joys of playtime and sharing and eventually begins to spread his social wings. The film charts the shaping of a personality, and the evolution of a sense of self-awareness until the creature is ready to leave its protective environment. Live-action, puppets and pixilation create this amazing world of fantasy. Film without words.

Alain Brissot, an executive in a major company, was made redundant following a redundancy plan, but decided to put up a fight by continuing to occupy his office against all odds... He soon went on hunger strike, and, after many ups and downs, ended up taking back the job of his former manager, who had himself been ousted following the failure of a lucrative contract with an African country.

Over forty and in a bit of a midlife crisis, Tunisian film director Raouf is prone to excessive drinking when not engaged in an argument with his French-born wife Lou (Marianne Basler). One respite to Raouf's dreary life is a recent film assignment -- to shoot an autobiographical film about his childhood. While working on the script, Raouf recalls his childhood home life under the strictures instituted by his devoutly religious father. The polar opposite of Raouf's father was his uncle Mansour, a jolly, life-loving soul who introduced Raouf to cinema through his work as a wandering film projectionist, which angered and shocked his father to no end but proved to be the most pivotal development in the youngster's life. Through cinema, Raouf found his place in this world and came-of-age -- something he may have to revisit in his adult life if he wishes to salvage his marriage.

Fourteen years after the Paris Commune, a young man from the country meets former insurgents. He gives them an innovative device that violently brings back ghosts from the past.

Nicole tries to seduce a young man who lead a bohemian life in an untidy flat with his three pals.

As scene as pleasing as incomprehensible. A juggler summons two chairs, which come to the stage jumping and twirling around. Across the back of these chairs the operator places a sheet of glass on which he lays a box about four inches high. He then takes a table cover, with his servant's help, rolls it up and from the centre emerges a lady, beautifully dressed. At the juggler's order she jumps in the box, in which she completely disappears.

In this silent, surrealist fantasy, thick clouds in a scorched sky prevent the sun from reaching the earth. Only a group of children in this gray world have access to a source of light which is in the wintry woods. They collect it into small boxes that they use to revive people imprisoned in pictures. A young woman grieving for her lost lover goes in search of these children so that they can bring her beloved back to life.