La Bête à

A crime writer gets involved in a murder investigation.

In the Edo era, two man arrive in a village and engage in criminal activity. While one of them becomes successful and rich, the other gets betrayed and ends up in prison, burning for revenge. The truth changes with the viewpoint in this Wakamatsu film, which has inspired comparisons to Rashomon.

A blind sculptor kidnaps an artists' model and imprisons her in his warehouse studio – a shadowland of perverse monuments to the female form. Here a deranged passion play of sensual and sexual obsession is acted out in world where sight is replaced by touch.

A skier and his wife visit a friend's ski resort during a man beast's rampage, and must hide from the impending danger.

When a middle aged salaryman is unknowingly used by drug traffickers he is dishonored and fires back at the Yakuza bosses, with destructive consequences.

A little girl is eating too many snacks when she doesn't realize that it is her bedtime. Then the Sandman comes out of nowhere and, sure enough, the girl falls asleep in the blink of an eye. Just then, she has a dream that she is in Toyland, where she encounters all kinds of fairy tale characters.

The Blue Racer snake hunts for food. After failing to nab an egg from Crazylegs Crane, he decided to try catching a bee, but even that fails.

A gold thief and his gang use a skier's lodge and meet a monster covered with cobwebs.

A low-budget re-telling of the classic fairy tale.

Daffy Duck needs to get Bugs Bunny into QTTV's studio ASAP in order to win the thousand dollar prize.

After her father’s death, Catherine returns to her family’s gothic castle in Italy and gets caught in the web of a mysterious love triangle.

A masked killer stalks an institution for mentally disturbed rich women.

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

Popeye is marrying Olive tomorrow; he's ecstatic. She has a dream of the future, including twin sons who prove to be a real handful. When Popeye comes by the next morning, he gets a frosty reception.

Suburbanite Ron is spoiled, young and not overly worried about the marijuana charges leveled against him. But, after being made out to be a drug dealer, he faces a five-year jail sentence in San Quentin State Prison. Physically frail and unaccustomed to his rough surroundings, Ron is primed to fall victim to sexual predators and bullying guards – that is, until he's befriended by Earl, a veteran inmate who finds meaning in protecting the vulnerable new kid.

An American historian (Mr Webster) comes to Berlin to visit an old man who claims to be the real Adolf Hitler and to be 103 years old. The Hitler who died in 1945, the old man says, was just one of his six doubles - one for each weekday - while Hitler himself retired into a bunker below the S-Bahn tracks and married a second time.

Two brothers return to a small mountain town in search of their long lost parents only to discover that the place has a monstrous taste for tourists.

The painfully true story of welterweight boxing champion Barney Ross is detailed in Monkey on My Back. Cameron Mitchell stars as Ross, whose meteoric ring career is interrupted when he joins the Marines at the outset of WWII. A highly decorated hero, Ross contracts malaria oversees and is given morphine to assuage the pain. By the time he returns to the states, Ross is a confirmed drug addict. Before he can rise to the top again, he must hit rock bottom and his descent into the hell of narcotics dependency is graphically illustrated (so much so that the film was almost denied a Production Code seal). Though a cured Barney Ross served as technical advisor for Monkey on My Back, he ended up suing the producers for defamation of character -- and lost.

The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.