L Ombre D Un Mensonge , Streaming avec sous-titres en Français, ombre || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Matteo, a boy from the city, goes to visit his grandfather in a secluded mountain village, where preparations for a local ancient festival are under way. Matteo spends the eve of the festival with Lidia and three other boys from the village. The group of kids begins a dangerous game, bringing up obscure mysteries that are rooted in the past of that mountain valley. Matteo thus goes through a sort of initiation, at the end of which he is able to exorcise his fears, but only after becoming uncomfortably conscious of the existence of evil.
General Mchulpich plots a coup with the CIA and South Vietnam to secede two provinces from Cambodia.
The time is the 1930s and two Soviet spies (both Frenchmen by nationality) have been helping Communist factions during the Civil War in Spain. It is the time of Stalin's iron rule in the USSR, and the two agents are suddenly called to Moscow by the KGB. Knowing that they are in trouble for no fault of their own, fear drives one of them to suicide while the other gets his lover and her child and begins a run for his life, knowing that the KGB will never let him go free.
Suspected of murder, a man disappears under mysterious conditions, which only increases the charges against him.
A film by Alain Philippon.
The filmmaker returns to Algeria after eight years living in France. Much has changed, and since he arrives on January 6, 2011, just as major riots break out in Algiers, he finds his own questions and concerns echoed in the demonstrations and gatherings—both public and private—to which he brings his camera. Ammar-Khodja's chronological diary-film is intimate, immediate, visceral—and unexpectedly funny. The film documents not only the recent political past of the country, but also the psychological difficulties of "going home again." Ammar-Khodja's mix of genres, grand flourishes, and stylistic touches identifies him as a questioning, searching soul and a talented filmmaker.
A writer is haunted by eerie appearances after the death of his wife.
When Lynn comes back home after having been away for a year, she suddenly feels like a stranger among her own. An intimate journey into the world and mind of this young woman, striving to love and to find her own identity.
David has a woman he loves, two lovely young children, a band of friends with whom they go on holiday. But on his return from a stay in the Vosges, he is interrogated by the police in connection with an investigation into a murder. Quickly, it is established that David, under irreproachable looks, does not have a life as smooth as what he claims. Despite the support of his best friend, Noël, and his lawyer, Marco, the doubt spreads.
In The Strange Story of Peter Schlemihl written in 1813 by Adelbert von Chamisso, out of necessity of money, the hero decides to sell his shadow to the devil; this shadow is of no use to him; as much as having money. But his life of a being without shade soon becomes unbearable; he is stigmatized as a being apart and is the laughing stock of everyone he crosses. Strange story of a being become strange. So he decides to re buy it back but for that will have to sell his soul to the devil. The shadow (black) is a double that never leaves the Being. The white shadow, negative of the previous one, is obtained by means of a china plate with bas-relief motifs and lit by the back. The expression "White Shadow" thanks to its poetic power became the title of a film by Flaherty, then the name of a bookstore, which was so flourishing that by consulting google today I could not find the origin of the word.
Le Voyageur sans Ombre is a sort of antechamber to Aventures d'Eddie Turley. We can follow step by step the progress of the filming with Philip Dubuquoy, Françoise Michaud and Joseph Morder during their travels in the South of France (Marseille, Aix-en-Provence, Prades) and in Paris.
Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.
For fifty years, Willy Holt was silent. He wanted to live, to have a family : he needed to forget. In 1995, however, this famous art director decided to pass on his memory through the story of his deportation.
Elusive, unconventional, on a quest for the absolute: painter and photographer Dora Maar left a unique and still largely under-appreciated body of work behind her. Maar’s extraordinary life saw her working alongside the greatest names in the Parisian art scene; she was also the lover of Picasso and the wife of Georges Bataille. Toppling conventions and shattering norms, Dora Maar breathed strength and character back into the image of 20th-century women. Hailed by critics, this film is an intimate portrayal that handles its subject with skill and sensitivity.
Despite his age and general weariness, Gebo keeps on working as an accountant to provide for his family. He lives with his wife, Doroteia, and his daughter-in-law, Sofia, but it is the absence of João, son and husband, that worries them.Gebo seems to be hiding something, especially to Doroteia, who is anxiously waiting to see her son again. Sofia is also waiting for her husband to come home, and yet she fears him. All of a sudden, João arrives and everything changes.