L Amour Ne S Achète Pas

One year after Hurricane Katrina, troubles arise for a surgeon who, despite remarrying his ex-wife and starting his life anew, becomes reacquainted with an former girlfriend.

A fictional process. An amorous relationship in the process of falling apart? A semblance of narrative, a sketch of diegesis, the fragments of an encounter between a man and a woman: an 'encounter of the crossing', marked by return, splitting, distance. Indecisive attitudes suddenly suspended or contradictory, toneless voices. Figures, and not characters. The figure is this form that approaches and frees itself from the notion of character, which reduces presence to a borderline state and ruins representation. The figure strays from the real. This obliteration and ambiguity of the figure signal the vagueness of the subject, the loss of its unity, a relationship to the world of order and enigma. The figure as a simple appearance, a mental projection.

They meet in the dark of the night. Women, sisters, friends: a feminist group that comes together to leave writings on the walls of Montreal. Their challenge: to raise awareness in order to put an end to the systemic violence suffered by women and gender minorities. Sober collages for a strong message: feminicides must stop!

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

Samir, a junior high school pupil, edgy and impulsive, is in love with Lea, a classmate in a wheelchair. After he is unjustly expelled from school, he is set upon revenge.

A building, a landing, two tenants: he, Jacques Loursier, is president of the U.R.A.F (Union and Resistance Anti-Woman); she, Eliane Cahuzac, is president of the Association for the Triumph and Independence of Women. Unaware of each other until then, a cold war begins between the two parties. An attempt at conciliation fails then, after many adventures, love triumphs.

A warm summer in Montreal. Two black men, Man and Bouba, share an apartment. Man is an ambitious author, writing on The Great Novel. Bouba is a lazy amateur philosopher who quotes the Koran. Man's habit of picking up young white women makes many young white men jealous...

Tourneur's first film tells the story of a chemist, Jules Renaudin. He welcomes a young pregnant girl, Claire, who enters his pharmacy in despair one evening. He takes care of her and gradually falls in love with her, doing everything for her. But she is attracted by the cheerfulness of young Jean Cordier, whose warehouse is a few steps away from the pharmacy.

The film is based on the theatrical work of Alfred de Musset of the same name. In this version, Lysiane Bernhardt (daughter of Sarah Bernhardt) plays the role of Camille.

While Camille refuses Perdican's advances, she takes offense when he courts Rosette. Then begins a confrontation of pride, where each seeks to establish his ascendancy over the other in the name of love.

Antoine and Marina spend their holidays in a club near the Mediterranean sea. They hope to find again a bit of intimacy. But at nearly forty, after years of marriage and two children, desire can be quite capricious. Despite all, Antoine and Marina can land on their feet!

Maya Souratis Student Film about a man struggling with depression in search of light.

An unseen photographer works hard to create perfect images of marital bliss. Yet the events beyond the edges of the frame tell a very different story.

The rivalries, romances, hopes and fears of the residents of the fictional Midwestern metropolis, Genoa City. The lives and loves of a wide variety of characters mingle through the generations, dominated by the Newman, Abbott, Baldwin and Winters families.

Barbarita is a young mestiza filled with beauty, a mixture of color and a passion for drums. However, she does not know her true origin as the daughter of a black woman from Barlovento, a small coastal town in Venezuela and a white Portuguese man. Barbarita is forced to flee from her hometown after being accused of a crime she didn't commit. To save herself, she poses as another woman and thus comes into the household of the Aristiguieta's, a family full of intrigue which is offended by Barbarita due to the color of her skin.

After losing all her loved ones fifteen years ago and believing her babies were killed at the hands of the father of her first love, Leona Bravo embarks on a journey of justice against all those who hurt her. In this process, Leona discovers that her children are actually alive and is reunited with an old friend with whom she finds true love. As a result, she will be torn between her desire for justice and rebuilding her bond with her two children, as well as regaining her faith in love.