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Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
Immeuble-Villas is an ongoing series of abstract interior spaces where electronic textures and architectural elements are subtly animated. The series references Le Corbusier’s standardization of apartment buildings. Each video loop is meant to be displayed as tableaux on individual screens.
“In Sofia, the residents of a mythical building had been evicted. I had come to hunt for film locations.” After this brief introductory title card, we discover what makes this Bulgarian building mythical, why its residents were evicted and how location-hunting turned into a film.
Cairo: a 70-year-old building of once-luxury flats with tenements on the roof. Zaki, an aging libertine, feuds with his sister. Pious Hajj Azzam takes a second wife, in secret, to satisfy his sexual drive within religious bounds. Bothayna, poor and beautiful, wants to support her family with her dignity intact. Her former fiancé, Taha, the janitor's son, humiliated by the police, turns to fundamentalism. Hatem, a gay editor, seduces and corrupts a young man from the sticks. Two Coptic brothers, one a tailor and the other being Zaki's factotum, connive for property. Allah is on everyone's lips, and corruption is in their hearts.
Sveta and Maxim, a happy newlyweds, are moving to their hew apartment only to discover that there is something mysterious and wrong about their new building.
On May 1, 1975 with Viet Cong troops march through Saigon celebrating their victory. Tham, caretaker of Victory Hotel, a relatively small establishment in downtown Saigon, nervously observes these celebrations. The owners have fled Saigon and the hotel is to be requisitioned by the new government. Tham wonders what his fate will be under the new regime. The next day he is told that that the hotel is to be transformed into a collective flat for the Viet Cong cadre and their families now entering the city. Tham is not hostile to this but is concerned about his place in the new set up. Will he still have a job? Will he be treated as an enemy?
