L Esprit De Sidi Brahim

Neurobiology has shown in the recent years that contrary to the traditional boundaries between animal and plants, plants can feel, move and even think. Over the recent years, a small but growing group of researchers from Austria, Germany, Italy, UK, Japan, South Africa and the USA, has developed a new scientific field of research: the neurobiology of plants. Their discoveries question the traditional boundaries set between the animal and the vegetable kingdom: plants are capable to develop the cognitive process claimed by humans and animals. If plants can move, and feel... Could they possibly think ? In a creative and captivating scientific investigation style, through spectacular specialist photography and CGI, and re-creating scientific experiments, this documentary is bound to change your own perception of plants.

Many have been aspiring for the position of Major Mac Favila, who is every cadet's ideal officer considering he is sharp, snappy, witty, and most of all, the most masculine among the school's many officers. Private Abel Sarmiento, who was abused when he was a child and Cain Fujika, a Filipino-Japanese whose mother worked abroad as a japayuki are the top contenders for his position.

A writer must face the sudden death of his father, but after the burial, the latter reappears to him. He will have to learn to live with this facetious companion, but difficult to explain the situation to his family, because he is the only one who can see him. This disturbing presence will create an earthquake in the family.

A blonde woman drops by her sister's apartment unexpectedly and discovers her brunette sister having sex. While hiding behind a curtain, the blonde sister is so aroused that she begins to masturbate and is discovered. Angry that their sexual liaison has been disturbed, the man grabs the blonde and proceeds to spank her and then whip her with his belt. When the brunette objects to her sister's treatment the blonde helps the man bind the brunette's wrists and string her up from the ceiling and then beaten. The blonde and the man proceed to have sex while the tied-up sister watches. Later the sisters engage in mild lesbian familiarity.

When a criminal gets betrayed by his business partner, he decides to go on a revenge mission to avenge his partner and get his money back. This causes him to learn a dark secret he would've never expected.

Esprit de bière (Beer) is a kind of attempt on an archaeological liquid, mixing the skills of playing truant and the quest for oneself. It makes its own investigation around this gol den drink as a police officer would do around some trivial event. Beer is first analysed as a substanc e, as a matter (real, chemical, physical,...). Then its own cycle will be careful ly studied. The Cycles reach every men in their wishs to create links and exchanges. The Cycles remind us that even beer can be a matter to think about.

This work features the salt marshes of Montpellier France, and uses computer graphics to create fantastical imagery.

"Starring Saul Levine, with some of his camerawork. First part: Birth from the water; Second: in the City with Janet, mostly in darkness; third: a bridge of scratches and flashing splices; ending with his dance on the beach, the world upside down, sunset and afterimage."–M.J.

In 1970, Hungarian-Québécois photographer Gabor Szilasi set out for the Charlevoix region of Québec to photograph the last vestiges of a disappearing rural world. Thirty-five years later, filmmaker Catherine Martin (Océan, Dans les villes, Trois temps après la mort d’Anna) went back to revisit the landscape, places and people he photographed. The Spirit of Places retraces Szilasi’s photographic journey, taking stock of what remains and what has disappeared.

It is a film about Madjid: He is gay and a follower of voodoo. We meet him at his workplace; a tiny barbershop called "Prince Coiffure" in Lome where he talks about his universe which is populated by spirits of male, female and multiple sexes with who he is in contact. They define his understanding of himself in the context of social relations and offer him pragmatic solutions in his every day life. For him the representations of different genders are naturally part of the traditional believe system of voodoo. He sees a causal link between his homosexuality and his personal voodoo spirits. Madjid is regularly participating in voodoo ceremonies which signify protection, comfort, social integration, and guidance for him. He invites us to participate in one of these ceremonies.

Charles Moreau, general practitioner, and Hélène, his wife, have four girls aged 11 to 20 years. The eldest, Claire, plays the piano when she does not let her mind indulge in solitary reverie. Bernadette has a real passion for horses, while Cecile, the youngest, plays from a young age to realize all her whims. As for Pauline, at the age of 17, she decided that she would become a novelist. So she writes a book telling the story of family life. One day, when she comes out of high school, she meets Pierre, a penniless painter, from whom she immediately falls.

Brothers Yvan and Max are total opposites. One is a hypochondriac; the other, a carefree optimist. Their little sister Hélène suffers from kidney problems and urgently needs a transplant. Both are called upon but only one will be chosen.

A renowned sound engineer and biologist, Marc Namblard lives with his family on the edge of a forest in the Vosges mountains in France. During the day (and sometimes at night), Namblard ventures deep into the forest, audio equipment in tow, to capture sounds no one’s heard before: a bee rubbing its legs together, the drumbeat of marching ants, the songs of nocturnal animals, ice cracking beneath a frozen lake. A magical and beguiling documentary that asks us to reconsider how we see – and hear – our world, In The Stillness of Sounds offers a wondrous appreciation of nature’s ecosystem.

"Bayini is a great spiritual woman she started to talk, to dance, to sing. She made everything around, all that comes from history. The vision and the dream she was seeing is the Anchor". Murrmurrnga Burarrwanga, his grandmother Gaymala Yunupingu, and their family established at Bawaka, Port Bradshaw, in North Australia, tell a story related to a precolonial (at least several centuries ago) experience of trade between their people, the Yolngu from Arnhem Land, and "fishermen from South-East Asia: the Macassans who used to collect trepang in exchange for rice, tobacco, pipes, knifes and canoes". Body language, paintings, songs and dances accompanied by the didjeridu give us an insight into their system of knowledge based on a very complex network of spiritual connections between people and the environment.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.