L Américain Streaming Avec Sous Titres En Français

Café Americain is an American sitcom starring Valerie Bertinelli which aired on NBC during the 1993–1994 television season from September 18, 1993 to February 8, 1994 with two leftover episodes shown on May 28, 1994. It was filmed at Warner Bros. Studios in Burbank, California.

Les Tuche, a modest french family, change his life after winning a super lottery. Thanks to the money of his parents, the son, Donald (aka "coin-coin) goes to Los Angeles to improve his english. On the L.A. University, he meets Jennifer, daughter of a famous American financier.

Since its birth in 1865, in the wake of the American Civil War, the history of the Ku Klux Klan has been inseparable from that of the United States. The debates over slavery, the populism in the roaring twenties, the struggle for civil rights in the sixties, the rise of the far-right in the early 21st century; the Klan seems to have always embodied the dark side of the nation, with its gray areas and blind spots.

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)

A shy and insecure delivery driver arrives on the scene of a robbery-gone-wrong and picks up two bags of cash and hides them in his truck. He is interrogated by two tough police detectives and manages to evade suspicion but he is warned that whoever owns the money will be looking for it. Only the help of a prostitute and a former biker recently released from jail might get him out of trouble.

Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.

Marcel, a simple-minded factory worker, is tricked into buying a high-priced American convertable car by a widow determined not to let it fall into the hands of her late husband's secretary/secret lover. Once in pocession of the car, Marcel only encounters one bad luck episode after another with the excessive gasoline consumtion, his wife trying to sell it to make ammends meet, getting into traffic jams, accidently riding into a car wash with the top down, and more.

In 30 years of a deeply committed career and 50 roles, Denzel Washington, double-Oscar winner, placed the figure of the Black man in all its complexity at the heart of the American paradoxes: from Black activist, rebel soldier to gangster torn between violence and charity. Voted best actor of the 21st century by the New York Times a few months ago, Denzel Washington, 65, has risen to the top of American cinema. As an Actor, director and producer, he has shaken up a "color line" as immutable as it is subtle. Often identified with his characters, he reveals himself to be disconcerting and paradoxical. As if he were holding up a mirror to America in which all of its contradictions and failings were reflected. A documentary that chronicles the extraordinary career of the world-renowned African-American actor.

From the Gilded Age to the present day, the history of modern United States of America has been one of wealth and power concentrated into the hands of a few families with enormous fortunes.

As a result of an automobile accident, a sophisticated TV producer meets her car mechanic/blue collar nemesis. They start a comic affair, but can they reconcile their totally different worlds?

Following his discharge from the Navy for hitting a superior officer, Loren takes a chance and moves to France, to learn haute cuisine under a four star chef...

A road-movie narrated by Michael Cimino (recorded by the documentary's director during their journey together across the United States), and with the exceptional participation of Quentin Tarantino and Oliver Stone. From Thunderbolt and Lightfoot to Year of the Dragon, not to mention The Deer Hunter and Heaven's Gate, discover a unique portrait of an uncompromising director.

Within a few years, France has witnessed the emergence of a new perspective on society, identity, and race, leading to the creation of an unprecedented lexicon that contradicts the principles of French-style universalism. These days, terms such as "white privilege", "intersectionality", "cancel culture", and the adjective "racialised" are defining a new relationship between minorities, differences, and society, especially among the younger generation. What is the origin of this vocabulary? What does 'wokism' mean? What is the origin of its adoption in France? Is it an opportunity? Or a threat? Is this an unfortunate implementation of a model not our own? This documentary delves into the origins and consequences of a phenomenon that is no longer trivial through archive footage and insights from prestigious contributors, analysts, and witnesses.

The story of the successful publicity campaign that made it possible for the French film The Artist (2011) to win five Academy Awards: an intimate look at what happens when a silent, black-and-white French film astounds Hollywood.

Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.