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This is the story of a young man at the dawn of the 21st century. He belongs to the most vulnerable, most futile and most appealing segment of society. Raoul flits from woman to woman, searching for seemingly unattainable love, until he meets Jeanne, who is fated to live freely and tragically.
A noble Roman, bored with his life, sees a slave dance and they fall in love. Before they can consummate their passion, his wife has the slave killed and he drinks the same poison as she.
Ahmed, 18, is French of Algerian origin. He grew up in the Parisian suburbs. On the benches of the university, he meets Farah, a young Tunisian full of energy recently arrived from Tunis. While discovering a body of sensual and erotic Arabic literature that he never knew existed, Ahmed falls deeply in love with this girl, and although literally overwhelmed by desire, he will try to resist it.
In his middle management office, Dubreuil uses erotic messaging. He tries to find the excitement lost.
Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.
Four women of different ages and social strata are forced to live together under the same roof. At first, the coexistence between them is complicated and tense due to their different visions and ways of facing life, but little by little the sisterhood and solidarity prevail when realizing the peculiar bond that exists between them: each one has suffered, in one or otherwise, the absence and abandonment of their respective partners.
The film revolves around a comic character in which he sarcastically discusses many of the issues in Moroccan society, with El Hadji El Souledi, a candidate for elections in Casablanca, whose character is a symbol of illegal wealth and moral corruption. His life is divided among bars, nightclubs and prostitution. While the police officer Adel and beautiful names that are associated with the life of the child and trying to get rid of it and corruption so that they succeed in the latter in it.
Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots.
The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.
29-year-old Georgia is waiting for her first child. But Georgia is not pregnant. In three months’ time, her wife Jeanne will give birth to their daughter.
A doctor and his son fall in love for the same woman, who has lost her child.
Edmond Dantes, a young sailor from Marseille, is being dragged in chains to the Chateau d'If, a state prison. He protests his innocence, but the jailors laugh and torment him before locking him up in solitary confinement. A few short hours before, Dantes had returned to Marseille from a voyage at sea and been reunited with his fiancée, Mercedes. Her father, Pierre Morrel, promoted Dantes to captain as a wedding gift to the couple. Into the middle of this celebration came the soldiers to arrest Dantes. He is sure he has done nothing that is against the law, and promises Mercedes he will return soon...
"I only film people who are always active. Even if their activity is strange, weird." The activity François Truffaut talks about here is love. Romantic or filial love. Love as an educational, political and social action. The love imagined by a filmmaker who wanted to show that love is within everyone's reach ! To gather Truffaut's formulas in a documentary rekindles how Truffaut communicates the essential.
A French crew is working on location in Spain. But when they want to film a scene in which Gérardn the male star is supposed to be swimming across a river, the matinée idol proves water-shy and the director decides to double him. The one that replaces him is Antonio, a local fisherman. The latter does the job so well that he is chosen as a stunts man for the whole film. This does not please Lola,his fiancée; all the more as Antonio has fallen in love with Martine, the female star.