L Africana Streaming Avec Sous Titres En Français

The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.

The film takes place at the end of the 19th century. The Cardinal Guglielmo Massaia has spent 20 years in Ethiopia to convert people to the Catholic Church. He comes back to Italy and he tries to get the help of the government of Piedmont. The Count Cavour, although he appreciates the Cardinal's deeds in Africa, cannot grant his Cabinet's support to the Cardinal's plans. The missionary man, trusting the Divine Providence, goes back to Africa by himself. The Cardinal, who is known among the people as Abuna Messias, becomes a friend of king Menelik. The support of the king is fundamental to spread his word and accomplish his mission. The Head of the Coptic Church, Abuna Attanasio, does whatever he can to prevent Massaia from reaching his goals and to get him exiled from Ethiopia. Menelik refuses to help Abuna Attanasio, who decides to address the Emperor, thus igniting a war between the Emperor and his subject Menelik. In order to end the war, the Cardinal decides to leave Africa.

A documentary portrait of the African photographer Malick Sidibe, and a journey through Malian history inspired by his iconic images. Sidibe's snapshots from the late 50s through to the early 70s capture the carefree spirit of a youth asserting their freedom from colonialism in the early days of Malian independence - until a coup ushered in decades of austere military dictatorship. So this is a film not only about art, but also about a culture reflected through a camera lens, in a country that today is one of the poorest in the world.

Short found-footage film by Danilo Torre.

Masai Mara, the traditional territory of the Masai tribe, divided between Kenya and Tanzania, is the setting for this documentary in which we approach a Manyata, a traditional Maasai dwelling to attend the ceremonies in which children become warriors.

A dying woman, who stole her best friend's lover, is convinced that a spell has been cast on her, so she orchestrates her former friend's return from a self-imposed exile in Africa in the hopes of breaking the spell.

Documentary film about the history and influence of Africans in Puerto Rican society. In addition to still photographs, film clips and interviews, the film utilizes dramatizations of scenes from the life of the poet Luis Palés Matos to illustrate the history and contributions of black Puerto Ricans through the centuries.

Episode 7 is intertidal, locating itself in and as mangrove, by speaking to interconnectedness and enmeshment. It constructs future oral histories by inviting real participants and asking them to image and imagine themselves as their future selves. This discursive, collaborative exercise in place-making is one where both science and the imaginary dovetail into a possible, collective futurology. In blending fact and speculative fiction, narrative and documentary, Shezad enacts a unique, sliding temporal scale that underlies the entire Leviathan project, connecting deep time to tentative futurity.

After experiencing a tragic loss, a woman must resist a new family dynamic that could control the future of her father's company and her life.

Born in a village in Sudan, kidnapped by slavers, often beaten and abused, and later sold to Federico Marin, a Venetian merchant, Bakhita then came to Italy and became the nanny servant of Federico's daughter, Aurora, who had lost her mother at birth. She is treated as an outcast by the peasants and the other servants due to her black skin and African background, but Bakhita is kind and generous to others. Bakhita gradually comes closer to God with the help of the kind village priest, and embraces the Catholic faith. She requests to join the order of Canossian sisters, but Marin doesn't want to give her up as his servant, treating her almost as his property. This leads to a moving court case that raised an uproar which impacts Bakhita's freedom and ultimate decision to become a nun. Pope John Paul II declared her a saint in the year 2000.

At the start of the First World War, in the middle of Africa’s nowhere, a gin soaked riverboat captain is persuaded by a strong-willed missionary to go down river and face-off a German warship.

Made over a three year period by George Michael and John B. Kennard and shot entirely in Africa, the film is a documentary of the native villagers and bearers of Bechuanaland, Rhodesia and Mozambique.

A documentary about South Africa. Discusses two tribes, some of the descendants of the Indian immigrants that settled there, and the wildlife.

For the first time, a human herd of Americans joins the great wildebeest migration across the Serengeti.

Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man's God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.

An evil circus owner chases a chimp and his friends through Africa. Not necessarily 'Dyn-O-Mite!', but this silly monkey business is decent family fun.

Long legs, tall neck, wide eyes – giraffes are the beauties of the African savannah. But there is so much more to these gentle giants: their exceptional body, their distinctive behavior, and their social lives. So far, giraffes have been decorative extras in many wildlife films, towering over the savannah. Our production takes a fresh look at the tallest animals of all, revealing brand new details about the African icon. We present giraffes in the savannah of Kenya, in the South African grassland as well as in the desert of Namibia. Experience never before seen material that will add up to a comprehensive and entertaining portrait of Nature’s High Society.