Just For The Record Conversations With And About

Short documentary about a transexual sex worker.

A chauffeur and a babysitter deceive their employers.

Paulo seems to lose himself in the life of others: at the age of 30, he is still closely attached to his protective mother and silent father; to his cold and domineering boyfriend Luis; to the lives of unknown men; to his female roles at the cabaret; and to the songs of Shirley Bassey.

Two drunken friends ponder on traveling back to the past when an unexpected traveler suddenly ask them for help.

Cybernetic memories of jugs, tuned cars and pills kept in a drawer emerge with the anthem of the best time in the history of Spain in terms of having a good time.

In a journey of mountain climbing, a gay couple was not only stimulated by the curiousity for the future and desire, but also haunted by their past.

The debut film by Chinese director Ning Ying, starring Shi Puyuan, Fang Zheng, Ma Xiaoqing, and others. Tells the story of a pair of friends who went to the karaoke hall as musicians but were involved in smuggling.

After being suddenly struck with amnesia, an old man is brought to a dilapidated house and ordered to harvest corn by a man who claims to be his son.

Yuri, who works at the ticket window at a ferry terminal, is one-eyed. One day, she is held at knifepoint and locked away in captivity by an enigmatic man named Kwon, who has missed a ferry. At the very moment Yuri learns that Kwon has supernatural powers. As Kwon and Yuri become closer to each other, Yuri's friend, Akiyama, accidentally finds the secret of Yuri's supernatural power. Yuri has the ability to go back in time. As the price for her supernatural ability, Yuri becomes blind in one eye. In the meantime, Kwon gets shot by mysterious men. Yuri, who has started feeling affection for Kwon, tries to save him using her special power again.

Male friend, Female friend, Isn't this dating? No, it's not. Two weeks of dizzying cohabitation with male and female friends.

A documentary on the making of Mia Madre (2015).

Dario is a disgruntled ex-cop who gets discharged from his job two years ago when he obeys the order of his superior, Superintendent Villa to take the syndicate master, Johnny Estrella to a safe-house instead on the police station. Superintendent Villa is under orders of Johnny. The crook escapes. Now Dario lives as an informal security man in a bar he frequented during his officer days. Marian is a young novice who is taking month long break from the convent. She finds out that her older sister Mabel has been taken by the people of Johnny and Sonny Estrella powerful leaders of a syndicate operating illegal drug business and white slavery in Alupihan Island.

Young leadership and audiovisual director, Patrícia Ferreira has been recognized for the documentaries she makes with her people, the Guarani Mbya. When asked to discuss her work at one of the largest ethnographic film festivals in the world, the Margaret Mead Film Festival, held at the American Museum of Natural History in New York, Patrícia is faced with a series of exhibitions, debates and attitudes that the they make us reflect on the world of “juruá”, contrasting it with the Guarani modes of existence.

The rise and fall story of a troubling and fragile actor who would eventually be recognized for his talent. The case of Mickey Rourke is a real turning point in the way men have portrayed themselves in American cinema.

Carmen is taking a course in her neighborhood studying home care for the sick and elderly, sponsored by the government with the aim of social inclusion of the Gypsy people. Meanwhile, behind the discreet behavior of her everyday life, Carmen has a secret love life that defies the strict rules of her community.

A day in the life of a spoon takes a dramatic turn as the common kitchen utensil becomes the key catalyst of a prison escape that embodies the resilient spirit of the Palestinian struggle for freedom. Presented through an abstracted perspective and visual storytelling style, this poetic short takes the liberatory ideals of the now infamous Gilboa prison escape and generalizes them onto a much more encompassing demographic: freedom defenders worldwide.

Rejecting the consumer society around him, Aaron becomes more and more secluded. One day he joins a family funeral in order to reconnect with his sister. But in the way to his sister stands her Nestlé employed boyfriend, a believer of growth. Things are not as they used to be. Talk, ideology, adrift violence, stranded love.

An existential Ken slowly begins to unravel the line between the Barbie world and the real world, blurring them as he questions his entire existence.

Alone in his small apartment Thomas writes about an old friend, Lea, who died recently. After he changes her story into a happy end Lea appears in his room, challenging the rewrite. Thomas is loosing it. But an unexpected encouter with his neighbour saves him from his morbid thoughts. For now.