Just For The Record Conversations With And About

A quiet domesticated policeman and his happy-go-lucky colleague are investigating a routine suicide. The policeman breaks the law and his own moral principles after he has heard a familiar voice from a victim’s cellphone.

The life of Tamás, antiquities dealer, runs in a normal, everyday way, he is stealing, swindling, cheating on his wife just like everybody else. Suddenly three men, who live in the attic, start harassing him. They construct coarse and unpleasant schemes against him and carry them into effect at the most unexpected times and places.

Péter tries to make a film on "Swan-Lake". At the weekend, shooting stops and the staff goes home. Péter leaves for home with his wife, Judit, but as he catches sight of a girl at the station, he cannot resist the temptation and gets off the train.

A drama about a 15-year-old teenager Maxim, who obsessively watches his father's mistress. Maxim wants to kill her, not realizing that this only complicates the situation.

Once, Chen Yi, a gay man who was about to graduate from college, and Zhie Ze maintained a detached sexual partnership. But now, Chen Yi, who has no job and no purpose in life, is playing an ambiguous game of friendship with Zhi Ze, trying to get out of the shadow of his previous relationship and find his way.

It's the first warm day of spring. Little Pig is feeling happy and decides to go for a swim. On the way she meets a hedgehog with too few prickles, a crow whose beak is too long, a green lamb and a little calf covered in white spots. None of them look quite 'normal'. They all set off with Little Pig to go swimming. They help out a turtle, who grants each of them a wish. But nothing turns out quite the way they planned.

Juste un Mouvement is a free take on La Chinoise, a Jean-Luc Godard movie shot in 1967 in Paris. Reallocating its roles and characters fifty years later in Dakar, and updating its plot, this new version offers a meditation on the relationship between politics, justice and memory. Although not anymore alive, Omar Blondin Diop, the only actual Maoist student in the original movie, now becomes the key character.

Two young women, Lidija and Esmeralda, have become mothers at a tender age. At the moment, they’re at a point where neither their families nor the fathers of their children can help them. They live in a safe house that proves to be a place where they can receive the love, goodwill and peace they could not find before. This visceral film contrasts youthful naivety with hard-to-face facts in a story of longing, hope for love and difficult choices.

The film is about the stories of Ailí, Morón, Equis, Fer and Toro. They live together in Buenos Aires. It shows the intimacy of every day situations combining like a puzzle fragments of the five characters during five days of the week. Each one go through different situations that ends in an unique scene about the desires and limitations of our lives.

Min, a 16 year-old boy always gets moved around from the Thai capital Bangkok to many of the rural provinces because of his father's career. He's a polite and quiet boy, and the local students always make fun of him just because he's from Bangkok. He later becomes friend with Oud, a local bad-boy who is really a good guy inside. Just like any other teenagers, Min falls in love at first sight with Fang, a pretty girl from the same school, but this love is going to be tough because of the opposition of Fang's father.

A very unlucky guy, Bakry, ends up with an abandoned and cursed theater house, and he must find a way to elevate the curse, as it affects him every time he enters the theater.

In fifteen minutes, Olivier receives a “quickie”. But is it as simple as that?

Andrei, recently retired, decides to go work abroad. He is about to discover that his new workplace won't be an easy one.

A high school student struggles to connect with his classmates due to his social anxiety.

In a small Norwegian town, a group of pensioners are breaking all boundaries, putting on a record breaking cabaret show with thousands attending. With only 6 months to go and the death of the star from last year, will they make it in time?

On a beautiful sunny day, among lush greenery, singing birds, humming grasses, buzzing insects, there are the two of them – two women of a different age. So much divides them and, at the same time, so much attracts them to each other. They know each other so well. They are so close to each other. What is the secret behind their bond? What can they learn from each other? Where are they heading pushed by ‘one more moment’ spent together? This ambiguous, surprising and subtle cinema is about halftones when it unfolds in a serene and lazy holiday rhythm touching us with its warmth.

Robert is far from a successful documentary filmmaker, and tends to make films no one wants to screen. When he loses financial support for his newest film about three debt collectors, they offer him what he believs to be a gift.

Emile Michel, Lapland, orphan, is obliged to bring back within the tribe the ancestral totem: a gold plumb line "borrowed" formerly by his grandfather Raymond Michel. His quest will take him aboard a floating boat that crosses Baffin Bay in the icy waters of Greenland.

Maurice Vallier, nicknamed "Ma Pomme"(which means "myself" in slang), is a cheerful man, well aware that money does not make happiness and who, of all things, prices freedom. Which is why he has become a tramp and he has never regretted his choice of life. Things go smoothly until the day he inherits a huge amount of money. He first refuses it but changes his mind when he realizes that thanks to the inheritance he can help others. Even more enticing is the fact that he must share the big money with a charming air hostess. However once he deems he has done enough good he gives up the money left and resumes his old lifestyle singing along "Ma pomme c'est moi, j'suis plus heureux qu'un roi..."

Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.