Journal Streaming Avec Sous Titres En Français , Streaming avec sous-titres en Français, journal || Regardez tout le film sans limitation, diffusez en streaming en qualité.
In Marseilles, in a house of correction reserved for teenagers, it is the young Patricia who, by its authority and its force, imposed herself on all her classmates.
Claude Sauvage, a tenacious young gynecologist takes a months long internship in a Paris hospital. Between her private life and medical career, she set her doubts and desires in a society where the square and the plight of women remain at that time a secondary issue. The film follows Claude and the staff through the case of some patients while the crucial debate on women's professional ambition, contraception and abortion rights.
A recount of how the storm of 1991 impacted Nantucket Island.
Experimental narrative animation using hobbyist 3D animation and inspired by niche genres of computer-generated erotica.
Student Claire lives with her mother, Anne, and Sebastien — a young man Claire brought home out of pity who is now trying to seduce them both. At school, Claire meets Gregoire, who loans her a book by philosopher Soren Kierkegaard that makes the reader attracted to whoever gave it to them. Smitten with Gregoire, Claire passes the book on to her therapist, who then falls in love with her.
The return of three Anglicizied natives people to their county or the beginning of a meeting with the modern world that will destroy them.
An Irishwoman married to a German in pre-First World War Liverpool prepares to meet her brother-in-law – a young man named Adolf Hitler. Years later she is interviewed on television about her life. Part of the BBC2 Playhouse strand.
Tracks Leigh Whannell’s directing process on reimagined horror classic The Invisible Man.
Le Journal du soir was a nightly prime time newscast on TQS, a French language television network in Quebec. Airing weeknights from 10 to 10:45 p.m., the show was anchored by Esther Bégin.
The Journal Editorial Report is a weekly American interview and panel discussion TV program on Fox News Channel, hosted by Paul Gigot, editorial page editor of The Wall Street Journal. Prior to moving to Fox News, the show aired on PBS for 15 months, ending on December 2, 2005.
Opening with a newsmaker of the week, Gigot usually interviews a guest for the first half of the program, asking questions related to the writings of the guest or a current event of interest to the guest.
Following the guest segment, the program becomes a panel discussion of Wall Street Journal editorial writers giving their opinions on the political, economic, and cultural issues of the current week. The final segment labeled Hits and Misses lets the panelists comment on the best and worst stories or events of the week.
The program is broadcast Saturdays at 2:00 p.m. and 11:00 p.m. and Sundays at 6:00 a.m.
The transcript of each show appears on OpinionJournal.com on the following Monday.
The political point of view of the panel is primarily libertarian, reflecting the "free markets and free people" philosophy of the editorial page of the Wall Street Journal.
Shows the despatch boat of the 'New York Journal' steaming through the water, having aboard the war correspondents.
A young Russian filmmaker opposed to the war in Ukraine is secretly filming its effects from her small hometown in the west of the country.
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
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