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Staging of the title event.
A drama directed by Horst Königstein.
Egyptian Jeanne d’Arc’ is a creative documentary that explores issues of female emancipation in ‘post post-revolutionary’ Egypt. Beginning with the return journey to Cairo of a filmmaker long absent from her own country, the film weaves a series of intimate portraits composed of interviews, poetic voice-over and dance; exploring themes of oppression, guilt and faith with Egyptian women, many of them artists. Reflecting on Carl Theodor Dreyer’s 1928 film ‘The Passion of Joan of Arc’ – in which the female figure is martyred by the patriarchal forces surrounding her – ‘Jeanne’ is a contemporary commentary that melds documentary and dance with poetic storytelling and myth to arrive at the core of the filmmaker’s enquiries into the circumstances of women in Egypt today.
On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.