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"Les jeux sont faits," is a fantasy film based on a screenplay by French existentialist philosopher Jean-Paul Sartre. A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.
Jeux Sans Frontières was a Europe-wide television game show. In English-speaking countries, the show is also known as It's a Knockout, the title of the BBC's domestic version.
In its original conception, it was broadcast from 1965 to 1999 under the auspices of the European Broadcasting Union and featured teams from different European countries in outlandish costumes competing to complete bizarre tasks in funny games. The original series run ended in 1982 but was revived a few years later with a different complexion of nations and hosted by smaller broadcasters.
In the United Kingdom, participants came from the heats of It's a Knockout. The original presenter was Mcdonald Hobley, but he stayed for just one season before handing over to Katie Boyle, who in turn was replaced by David Vine and Eddie Waring. It was not until 1971 that the presenter most associated with the role, Stuart Hall, took over presenting the UK heats and also provided the British commentary for the international version along with Waring, who was better known as the BBC's Rugby League commentator. Wales had its own team between 1991 and 1994 and the programme was broadcast on S4C in Welsh by Iestyn Garlick.
Victor (Jean-Pierre Cassel) and Suzanne (Genevieve Cluny) are a couple at odds about commitment in this light, fast-paced comedy-drama by Philippe de Broca. Suzanne needs more reassurance from Victor about the future of their relationship. He is a painter with an inspired creative side who finds it difficult to understand Suzanne's point of view. They are happy together; what is the problem? So when a friend comes into the picture and proposes to Suzanne, Victor suddenly realizes that Suzanne was right. Without a formal commitment, the suddenly insecure man does not like the view from the opposite shore.
Shadow Games presents objects whose recognition is made difficult by fragmentation, which gives them a kaleidoscopic appearance. We see rosette windows, mounted with close-ups of flowers, passages taken in negative, but the originality of the film is to show the richness of the mobile forms.
The relationship of a married couple takes an unexpected turn when the husband's boss gets the idea that their ad campaigns need spicing up with eroticism, and chooses his employee's wife as his assistant.
Elisa and Eric are two teenage war orphans. They change their apartment on the outskirts of the city into a photo-studio to make a living, and they are very devoted to it. The two seem to live like heavenly beings without connecting to the outside world. Their only contact with the exterior is through Jacques, a loyal friend, but he also cuts himself out of any social life. The sister and the brother then take to get in touch with the world by Mrs Jean, a friend of their deceased mother with whom Elisa takes courses of singing. They live in harmony until a young man, whom Elisa falls for, eventually leaves with Eric for the USA and left her brokenhearted alone in France.
A look back at the Paris 2024 Summer Olympics.
The relationships between the stained glass rosettes and the floral forms, between the architectural geometry and that, random, of the branches of trees form a dazzling catalog of plastic obsessions of an era.
A series of 5 choreographed sketches starring Jacqueline Clédon and Michèle Nadal.
A summer landscape in the south of France. Eleven boys seek pleasure through performing pagan rituals.
A documentary on the 1924 Olympic Game in Paris.
Animated short. Abstract forms in a setting evocative of a concentration camp created by the universe. Based on a series of paintings by the Polish artists and filmmaker Walerian Borowczyk, Les Jeux des Anges takes the viewer into a nightmarish and sinister labyrinth world. With images reminiscent of Bosch and Ernst and an abstract soundtrack the film evoke unspeakable horrors lurking at the heart Borowczyk's masterpiece. Borowczyk described the film himself as "A report on the city of angels."