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Documentary about filmmaker Jean Grémillon.
Asked by his beloved to bring his mother's heart for her dog, a hopeless lover tears it out, stumbles with it, lets it fall. Rolling across the floor, the heart gasps out: “Are you hurt, my son?"
An innocent man is imprisoned for a crime he did not commit. Years later, destiny will put him before a tragic dilemma.
Jean-Marie is the eldest son of a large family, of which the Dutch father bought a mountain in the French Pyrenees in 1948. Now he is a pastor for 25 villages located in the area. Jean-Marie speaks of the harsh rejection by the great love of his youth in the village of Olette, his subsequent taking of the cloth as well as his spiritual love for his neighbour later in life. With his simplicity, openness and humour he manages to move us all. At the age of 75, he makes a drastic decision that leaves everyone baffled. Recordings from 2004 until 2010 in the Eastern Pyrenees.
A humorous animation film about a fellow who builds his house in the best suburb he can afford. He has a picture bride, a picture window and a garden as pretty as a picture, but he wanted something special and, like Jack and the Beanstalk, he finally got it! What he got is a moral for all.
A twelve-year-old existentialist kid runs away from home to meet his favorite philosopher, Albert Camus, not knowing he has been dead for fifty years. On his way he finds love and rejection for the first time in his life.
In 1964, Che Guevara asked the young Jean Ziegler to stay in Switzerland to fight in the "Monster brain" capitalist. Since then, Jean Ziegler nerve stops fighting against injustices as a public writer, a speaker and as a Kofi Annan collaborator. During a trip to Cuba, his ideas are challenged by what he discover on the island.
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
Perhaps it speaks to the sheer power and beauty of L’Atalante that 40 years after its initial butchered release, critics and fans still seek to piece together Vigo’s vision – and debate the choices involved in that process. Bernard Eisenschitz, who was involved with Luce Vigo (daughter of Jean Vigo) in the 1990 reconstruction of this masterwork, takes us into the raw materials by which this complex film was re-envisioned and continues to be analyzed and changed today. An important vision of film as a tradition of viewership, curation and exploration.
