Je Suis Un Autarc

The chauvinist Damien wakes up in a world where women and men have their roles reversed in society, and everything is dominated by women.

In this dark comedy, the action takes place in a social network moderation centre. We discover an unhealthy work environment filled with people who have become deeply alienated by all the twisted videos they are obliged to analyze and classify all day long.

A young woman falls down a staircase, and suddenly becomes... a nymphomaniac.

Three French pals take to the road in a stolen car and discover a talking, wounded stork — who claims to have deserted the Algerian army — and help it to escape to the home of a relative in Germany.

Louis is a super nice guy. But in his lawyer's office, this is not a compliment. When his doctor wrongly diagnoses a serious disease, his colleagues behaviour changes : they care about him, they ask him questions and they listen his answers. Finally, Louis exists ! So, obviously, he hesitates over telling the truth.

A writer of novels in need of an editor accepts the contract offered to him by a famous writer: to eliminate his ex-wife against a large sum of money.

Eddie is no longer living with his wife and their son Noam. One night, he gets mugged and badly injured, and consequently becomes a hero to his son and the victim of a vicious crime to his wife. But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

A social drama about a woman who is obligated to return to her parents’ home and agrees to work for her uncle in a doghouse.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.

Luc has just learned that he has cancer. Consumed by denial and anger, he despite himself attends a discussion meeting between patients... If it is a question of showing that cancer affects all generations... Strength, hope and resilience are also transmitted through them...

Philippe is a singer and in the existence of a singer, there are times when everything accelerates especially when a crazy groupie, neglected parents, a lunar ornithologist and a tough childhood friend strive to complicate the life... How to get out ?

Bubble a young otter, lives with three mossy stones and thinks of them as her family. Bulle imagines them as real otters, but as she becomes aware of their true nature, she has to face her loneliness.

The amazing story of the animograph, a machine created in France in the sixties by the cartoonist and self-taught inventor Jean Dejoux (1922-2015), whose creation was intended to revolutionize the animation industry.

Muriel Montini is a heroine, as she looks back on her life, recorded in her films. But because she was careful not to be at the centre, these autobiographical traces may now become the starting point for fiction, for self-fiction. Peripheral heroine. But what to place in the centre? The blackness of passing time, the night that we fear to enter all too soon, which devours friends and lovers, all our life stories. From the rushes amassed over the years, Muriel Montini extracts fragments of memories, drawing, around the obscure centre, the constellation of time lost and found.

Nina, alias #Ninalabiche on Snapchat, is a young girl addicted to social media. To escape her anxieties and her lack of confidence, she invents a life with a doe filter on her phone. Nina is in love with Jonas, a boy on the internet whom she harasses. One day, when she bombards the feed with her snaps, the virtual meets the real: Nina meets the doe, and maybe even the one she loves so much ...

Released from prison after two years, Michel Gérard sets out to find his wife Alice. Alice, luxuriously maintained by her lover, Jacques Rupert, editor-in-chief of a major newspaper, rejects him. Shortly afterwards, Rupert discovers Alice dead, murdered. Fearing charges, he asks one of his reporters, Barney Morgan, to direct suspicion to Michel. But Michel's lawyer shows Barney that the husband is innocent.

Je suis une célébrité, sortez moi de là ! is a French television reality show presented by Jean-Pierre Foucault and Christophe Dechavanne. It was broadcast on TF1 from 14 April 2006 to 28 April 2006. It is the French version of the international reality show I'm a Celebrity...Get Me Out of Here!. The programme was broadcast live in the early evening after Teresópolis to Brazil.