Je Suis En Train D

Paul Dedalus is at a crossroads in his life. He has to make several decisions; should he complete his doctorate, does he want to become a full professor, does he really love his long-standing girlfriend, or should he re-start with one of his other lovers?

A penniless Argentine male escort meets a solitary, lonely Belgian baker who wants to help him leave the world of prostitution, explores intimate gay relationship.

Sultry Sandra Julien stars as a teenage virgin who is traumatized after being raped by her 2 "friends", a young man and his sister, leaving her with no interest in sex. Discouraged, she embarks on a journey of sexual awakening in hopes of curing herself.

Michèle, 20 years old, feels terrible after having broken up with her boy-friend. She meets Francois, who's a veterinarian and jewish. Michèle decides to convert into Judaism because she has to believe in something, if not in someone.

A writer of novels in need of an editor accepts the contract offered to him by a famous writer: to eliminate his ex-wife against a large sum of money.

Eddie is no longer living with his wife and their son Noam. One night, he gets mugged and badly injured, and consequently becomes a hero to his son and the victim of a vicious crime to his wife. But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

A social drama about a woman who is obligated to return to her parents’ home and agrees to work for her uncle in a doghouse.

Disappointing everyone around her with her inability to meet mounting expectations, a working mother wishes it would all just go away.

Thomas, the son of a millionaire lives a fairly isolated existence, in a mansion in rural France. His father hires a widowed woman to take care of things while he is away. The maid's son, Charles moves in as well, and the two parents hope that the two can become friends but they become enemies immediately after meeting each other. Once their parents fall in love, Thomas decides to make Charles, who he views as an "invader", as miserable as possible.

More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Charming thirty-year-old Hanna Belkacem has inherited the gene from her parents: she is unable to say no. And as she is the Director of Human resources of a big firm such infirmity is not without its problems, particularly when she has to fire someone. The only solution she has found to be forgiven is to... get l* with the men she lays off!

From the young Ensor, brilliant artist, rebel and relatively unknown, to the esteemed Baron Ensor, who only painted scenes in which he plagiarized himself, Luc de Heusch provides an interpretation of a man and an oeuvre. A Sunday musician, out-and-out misogynist, talented utterer of curses, lover of the mermaid, seller of beach souvenirs, he left dazzling drawings and major 20th century paintings. At the centre of the film is the creative impotence he experienced halfway through his life. The setting is Ostend, queen of beaches, the city that he never wanted to leave, and the North Sea, beautifully photographed. A film on art which provides outstanding answers to the following questions: how to film a scene, how to find a dramatic structure, how to avoid narratives being too educational. The scenes are shot in full screen: the film imposes its format of continuity and narration on the museological ‘framework’.

Luc has just learned that he has cancer. Consumed by denial and anger, he despite himself attends a discussion meeting between patients... If it is a question of showing that cancer affects all generations... Strength, hope and resilience are also transmitted through them...

A team follows experienced and engaging movers during the busiest months of the year. Movers face daily challenges that require them to demonstrate psychological insight, flexibility, resourcefulness and organization. The series explores the days of these workers, loaded with emotion and stress.

An avid moviegoer sees several films depicting grisly murderers and decides to commit a crime himself, only to discover that there's quite a difference between fantasy and reality.